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	<title>STEM Ed+ Commons | Victoria Addis | Activity</title>
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				<title>Victoria Addis deposited George Eliot's Debt to Richard Wagner: Daniel Deronda and The Flying Dutchman</title>
				<link>https://hcommons.org/activity/p/1772351/</link>
				<pubDate>Fri, 18 Feb 2022 22:44:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>Eliot’s final novel, Daniel Deronda (1876), has often been seen as problematic,<br />
and for one major reason: the so-called Jewish storyline. The common sentiment<br />
that the novel was one of two distinct halves, one vastly superior to the other, was<br />
expressed most famously by F. R. Leavis in The Great Tradition (1948), where<br />
he refers to the J&hellip;<span class="activity-read-more" id="activity-read-more-1772351"><a href="https://hcommons.org/activity/p/1772351/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis deposited Forming Ecomasculinities through Deep Ecology in Gravity’s Rainbow in the group Masculinities in Literature</title>
				<link>https://hcommons.org/activity/p/1728198/</link>
				<pubDate>Sun, 21 Feb 2021 02:24:16 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article examines the concept of ecomasculinity - how masculinities and ecologies interact - through the lens of deep ecology, arguing (following Serpil Oppermann) that Pynchon's postmodernist boundary collapsing informs deep-ecological interconnections for male characters previously embroiled in negative cycles of patriarchal dominance.&hellip;<span class="activity-read-more" id="activity-read-more-1728198"><a href="https://hcommons.org/activity/p/1728198/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis deposited Forming Ecomasculinities through Deep Ecology in Gravity’s Rainbow in the group Environmental Humanities</title>
				<link>https://hcommons.org/activity/p/1728197/</link>
				<pubDate>Sun, 21 Feb 2021 02:24:12 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article examines the concept of ecomasculinity - how masculinities and ecologies interact - through the lens of deep ecology, arguing (following Serpil Oppermann) that Pynchon's postmodernist boundary collapsing informs deep-ecological interconnections for male characters previously embroiled in negative cycles of patriarchal dominance.&hellip;<span class="activity-read-more" id="activity-read-more-1728197"><a href="https://hcommons.org/activity/p/1728197/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis deposited Forming Ecomasculinities through Deep Ecology in Gravity’s Rainbow in the group American Literature</title>
				<link>https://hcommons.org/activity/p/1728196/</link>
				<pubDate>Sun, 21 Feb 2021 02:23:39 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article examines the concept of ecomasculinity - how masculinities and ecologies interact - through the lens of deep ecology, arguing (following Serpil Oppermann) that Pynchon's postmodernist boundary collapsing informs deep-ecological interconnections for male characters previously embroiled in negative cycles of patriarchal dominance.&hellip;<span class="activity-read-more" id="activity-read-more-1728196"><a href="https://hcommons.org/activity/p/1728196/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis deposited Forming Ecomasculinities through Deep Ecology in Gravity’s Rainbow</title>
				<link>https://hcommons.org/activity/p/1728157/</link>
				<pubDate>Sat, 20 Feb 2021 15:34:57 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article examines the concept of ecomasculinity - how masculinities and ecologies interact - through the lens of deep ecology, arguing (following Serpil Oppermann) that Pynchon's postmodernist boundary collapsing informs deep-ecological interconnections for male characters previously embroiled in negative cycles of patriarchal dominance.&hellip;<span class="activity-read-more" id="activity-read-more-1728157"><a href="https://hcommons.org/activity/p/1728157/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1696658/</link>
				<pubDate>Sun, 12 Jul 2020 06:25:39 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1680998/</link>
				<pubDate>Wed, 18 Mar 2020 09:11:40 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1671535/</link>
				<pubDate>Sat, 07 Dec 2019 12:43:21 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1671534/</link>
				<pubDate>Sat, 07 Dec 2019 10:39:03 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1659897/</link>
				<pubDate>Thu, 08 Aug 2019 16:24:24 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1639974/</link>
				<pubDate>Fri, 10 May 2019 13:21:14 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1628757/</link>
				<pubDate>Fri, 11 Jan 2019 20:48:17 +0000</pubDate>

				
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				<title>Victoria Addis deposited Landscape and Masculinity in Ernest Hemingway's A Farewell to Arms in the group Masculinities in Literature</title>
				<link>https://hcommons.org/activity/p/1623888/</link>
				<pubDate>Fri, 16 Nov 2018 16:34:55 +0000</pubDate>

									<content:encoded><![CDATA[<p>Since his first works came to critical attention, Ernest Hemingway has occupied a space in the critical and cultural imagination as a definitively ‘masculine’ writer. His novels and stories focus on male narrators in difficult or extreme situations involving war, violence, and the natural world, and his critical heritage has focused on these ele&hellip;<span class="activity-read-more" id="activity-read-more-1623888"><a href="https://hcommons.org/activity/p/1623888/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis deposited Landscape and Masculinity in Ernest Hemingway's A Farewell to Arms in the group LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1623886/</link>
				<pubDate>Fri, 16 Nov 2018 16:26:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>Since his first works came to critical attention, Ernest Hemingway has occupied a space in the critical and cultural imagination as a definitively ‘masculine’ writer. His novels and stories focus on male narrators in difficult or extreme situations involving war, violence, and the natural world, and his critical heritage has focused on these ele&hellip;<span class="activity-read-more" id="activity-read-more-1623886"><a href="https://mla.hcommons.org/activity/p/1623886/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis deposited Landscape and Masculinity in Ernest Hemingway's A Farewell to Arms in the group American Literature</title>
				<link>https://hcommons.org/activity/p/1623885/</link>
				<pubDate>Fri, 16 Nov 2018 16:25:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>Since his first works came to critical attention, Ernest Hemingway has occupied a space in the critical and cultural imagination as a definitively ‘masculine’ writer. His novels and stories focus on male narrators in difficult or extreme situations involving war, violence, and the natural world, and his critical heritage has focused on these ele&hellip;<span class="activity-read-more" id="activity-read-more-1623885"><a href="https://hcommons.org/activity/p/1623885/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis deposited Landscape and Masculinity in Ernest Hemingway's A Farewell to Arms</title>
				<link>https://hcommons.org/activity/p/1623847/</link>
				<pubDate>Thu, 15 Nov 2018 22:08:32 +0000</pubDate>

									<content:encoded><![CDATA[<p>Since his first works came to critical attention, Ernest Hemingway has occupied a space in the critical and cultural imagination as a definitively ‘masculine’ writer. His novels and stories focus on male narrators in difficult or extreme situations involving war, violence, and the natural world, and his critical heritage has focused on these ele&hellip;<span class="activity-read-more" id="activity-read-more-1623847"><a href="https://hcommons.org/activity/p/1623847/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1623598/</link>
				<pubDate>Tue, 13 Nov 2018 11:58:05 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1617536/</link>
				<pubDate>Wed, 05 Sep 2018 19:56:30 +0000</pubDate>

				
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				<title>Victoria Addis deposited The Musicalization of Graphic Narratives and P. Craig Russell's Graphic Novel Operas, The Magic Flute and Salome in the group Comics Scholarship/Comics Studies</title>
				<link>https://hcommons.org/activity/p/1614981/</link>
				<pubDate>Fri, 10 Aug 2018 13:51:04 +0000</pubDate>

									<content:encoded><![CDATA[<p>The term ‘musicalization’ comes from Werner Wolf’s study of intermediality between music and fiction, The Musicalization of Fiction (1999), which proposes the musicalized text as one that has an intentional and sustained connection to music and musical form that moves beyond the purely diegetic or incidental. In this article I draw on Wolf’&hellip;<span class="activity-read-more" id="activity-read-more-1614981"><a href="https://hcommons.org/activity/p/1614981/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1614323/</link>
				<pubDate>Tue, 31 Jul 2018 20:39:09 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1613114/</link>
				<pubDate>Sat, 14 Jul 2018 13:48:38 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1611344/</link>
				<pubDate>Thu, 21 Jun 2018 03:14:55 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1611265/</link>
				<pubDate>Wed, 20 Jun 2018 02:48:35 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1608219/</link>
				<pubDate>Fri, 11 May 2018 12:10:45 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1606618/</link>
				<pubDate>Wed, 18 Apr 2018 10:25:15 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1605514/</link>
				<pubDate>Thu, 05 Apr 2018 11:09:49 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1604874/</link>
				<pubDate>Fri, 30 Mar 2018 17:51:54 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1603757/</link>
				<pubDate>Sat, 17 Mar 2018 03:42:39 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1601661/</link>
				<pubDate>Fri, 23 Feb 2018 22:34:16 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1596591/</link>
				<pubDate>Fri, 12 Jan 2018 15:21:35 +0000</pubDate>

				
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				<title>Victoria Addis deposited The Greening of Postmodern Discourse in Margaret Atwood's Oryx and Crake and Graham Swift's Waterland in the group Environmental Humanities</title>
				<link>https://hcommons.org/activity/p/1590980/</link>
				<pubDate>Sat, 02 Dec 2017 05:39:37 +0000</pubDate>

									<content:encoded><![CDATA[<p>In this article, I argue that the groundlessness associated with postmodernism is not as entrenched within its discourse as it may appear. Graham Swift’s Waterland (1992) and Margaret Atwood’s Oryx and Crake (2003), while conforming to many of the aesthetic values of postmodernism, share an ecopostmodernist platform that raises questions and con&hellip;<span class="activity-read-more" id="activity-read-more-1590980"><a href="https://hcommons.org/activity/p/1590980/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis deposited The Greening of Postmodern Discourse in Margaret Atwood's Oryx and Crake and Graham Swift's Waterland in the group American Literature</title>
				<link>https://hcommons.org/activity/p/1590979/</link>
				<pubDate>Sat, 02 Dec 2017 05:39:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>In this article, I argue that the groundlessness associated with postmodernism is not as entrenched within its discourse as it may appear. Graham Swift’s Waterland (1992) and Margaret Atwood’s Oryx and Crake (2003), while conforming to many of the aesthetic values of postmodernism, share an ecopostmodernist platform that raises questions and con&hellip;<span class="activity-read-more" id="activity-read-more-1590979"><a href="https://hcommons.org/activity/p/1590979/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis deposited The Musicalization of Graphic Narratives and P. Craig Russell's Graphic Novel Operas, The Magic Flute and Salome</title>
				<link>https://hcommons.org/activity/p/1590928/</link>
				<pubDate>Fri, 01 Dec 2017 18:55:19 +0000</pubDate>

									<content:encoded><![CDATA[<p>The term ‘musicalization’ comes from Werner Wolf’s study of intermediality between music and fiction, The Musicalization of Fiction (1999), which proposes the musicalized text as one that has an intentional and sustained connection to music and musical form that moves beyond the purely diegetic or incidental. In this article I draw on Wolf’&hellip;<span class="activity-read-more" id="activity-read-more-1590928"><a href="https://hcommons.org/activity/p/1590928/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis deposited The Greening of Postmodern Discourse in Margaret Atwood's Oryx and Crake and Graham Swift's Waterland</title>
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				<pubDate>Fri, 01 Dec 2017 18:47:02 +0000</pubDate>

									<content:encoded><![CDATA[<p>In this article, I argue that the groundlessness associated with postmodernism is not as entrenched within its discourse as it may appear. Graham Swift’s Waterland (1992) and Margaret Atwood’s Oryx and Crake (2003), while conforming to many of the aesthetic values of postmodernism, share an ecopostmodernist platform that raises questions and con&hellip;<span class="activity-read-more" id="activity-read-more-1590926"><a href="https://hcommons.org/activity/p/1590926/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis&#039;s profile was updated</title>
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				<pubDate>Tue, 24 Oct 2017 15:07:06 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
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				<pubDate>Sat, 30 Sep 2017 14:01:41 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
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				<pubDate>Fri, 01 Sep 2017 07:38:46 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
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				<title>Victoria Addis&#039;s profile was updated</title>
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1577885/</link>
				<pubDate>Sun, 06 Aug 2017 22:50:57 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1576632/</link>
				<pubDate>Tue, 25 Jul 2017 19:58:54 +0000</pubDate>

				
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1575835/</link>
				<pubDate>Sat, 15 Jul 2017 01:17:52 +0000</pubDate>

				
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				<title>Victoria Addis deposited 'Man is the Measure': The Individual and the Tribe in Modernist Representations of the Primitive in the group Performance Studies</title>
				<link>https://hcommons.org/activity/p/1574767/</link>
				<pubDate>Sun, 25 Jun 2017 01:00:04 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article investigates the tensions inherent within the ‘anti-modern’ element of early modernism and its relationship to Victorian and fin de siècle narratives of modernity. Using Sigmund Freud’s Totem and Taboo (1913), this essay examines how the primitive is represented in E.M. Forster’s short story ‘The Machine Stops’ (1909) and Stravinsky/N&hellip;<span class="activity-read-more" id="activity-read-more-1574767"><a href="https://hcommons.org/activity/p/1574767/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis deposited 'Man is the Measure': The Individual and the Tribe in Modernist Representations of the Primitive in the group British History</title>
				<link>https://hcommons.org/activity/p/1574766/</link>
				<pubDate>Sun, 25 Jun 2017 01:00:04 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article investigates the tensions inherent within the ‘anti-modern’ element of early modernism and its relationship to Victorian and fin de siècle narratives of modernity. Using Sigmund Freud’s Totem and Taboo (1913), this essay examines how the primitive is represented in E.M. Forster’s short story ‘The Machine Stops’ (1909) and Stravinsky/N&hellip;<span class="activity-read-more" id="activity-read-more-1574766"><a href="https://hcommons.org/activity/p/1574766/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1574750/</link>
				<pubDate>Sat, 24 Jun 2017 13:50:13 +0000</pubDate>

				
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				<title>Victoria Addis deposited 'Man is the Measure': The Individual and the Tribe in Modernist Representations of the Primitive</title>
				<link>https://hcommons.org/activity/p/1574749/</link>
				<pubDate>Sat, 24 Jun 2017 13:43:45 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article investigates the tensions inherent within the ‘anti-modern’ element of early modernism and its relationship to Victorian and fin de siècle narratives of modernity. Using Sigmund Freud’s Totem and Taboo (1913), this essay examines how the primitive is represented in E.M. Forster’s short story ‘The Machine Stops’ (1909) and Stravinsky/N&hellip;<span class="activity-read-more" id="activity-read-more-1574749"><a href="https://hcommons.org/activity/p/1574749/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victoria Addis&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1574748/</link>
				<pubDate>Sat, 24 Jun 2017 13:05:05 +0000</pubDate>

				
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