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	<title>STEM Ed+ Commons | Victor Goldgel-Carballo | Activity</title>
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				<title>Victor Goldgel-Carballo deposited Unwilling Impostors, Willing Victims: Passing in Two Nineteenth-Century Cuban Novels in the group LLC Cuban and Cuban Diasporic</title>
				<link>https://mla.hcommons.org/activity/p/531563/</link>
				<pubDate>Mon, 19 Oct 2015 21:00:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>A light-skinned mulata passes for white and begins a romantic relationship that ends tragically, revealing the intransigence of racial barriers; a mother raises her biological daughter as her step-daughter, so that she might adopt a white identity; a multiethnic society is shaken by dreams and anxieties of social mobility: These are some of the&hellip;<span class="activity-read-more" id="activity-read-more-531563"><a href="https://mla.hcommons.org/activity/p/531563/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victor Goldgel-Carballo deposited Unwilling Impostors, Willing Victims: Passing in Two Nineteenth-Century Cuban Novels in the group LLC 19th-Century Latin American</title>
				<link>https://mla.hcommons.org/activity/p/531562/</link>
				<pubDate>Mon, 19 Oct 2015 21:00:01 +0000</pubDate>

									<content:encoded><![CDATA[<p>A light-skinned mulata passes for white and begins a romantic relationship that ends tragically, revealing the intransigence of racial barriers; a mother raises her biological daughter as her step-daughter, so that she might adopt a white identity; a multiethnic society is shaken by dreams and anxieties of social mobility: These are some of the&hellip;<span class="activity-read-more" id="activity-read-more-531562"><a href="https://mla.hcommons.org/activity/p/531562/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victor Goldgel-Carballo deposited Unwilling Impostors, Willing Victims: Passing in Two Nineteenth-Century Cuban Novels</title>
				<link>https://mla.hcommons.org/activity/p/531561/</link>
				<pubDate>Mon, 19 Oct 2015 21:00:00 +0000</pubDate>

									<content:encoded><![CDATA[<p>A light-skinned mulata passes for white and begins a romantic relationship that ends tragically, revealing the intransigence of racial barriers; a mother raises her biological daughter as her step-daughter, so that she might adopt a white identity; a multiethnic society is shaken by dreams and anxieties of social mobility: These are some of the&hellip;<span class="activity-read-more" id="activity-read-more-531561"><a href="https://mla.hcommons.org/activity/p/531561/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victor Goldgel-Carballo deposited &#039;High-Speed Enlightenment.’ Latin American literature and the new medium of periodicals in the group LLC 19th-Century Latin American</title>
				<link>https://mla.hcommons.org/activity/p/531519/</link>
				<pubDate>Mon, 19 Oct 2015 20:48:50 +0000</pubDate>

									<content:encoded><![CDATA[<p>Drawing upon studies of media history and print culture, this article analyzes the relationship among early-nineteenth-century Latin American periodicals, literary institutions, and new experiences of time and history. Framing these periodicals as a new medium which boomed during and immediately after the wars of independence, it underscores their&hellip;<span class="activity-read-more" id="activity-read-more-531519"><a href="https://mla.hcommons.org/activity/p/531519/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victor Goldgel-Carballo deposited &#039;High-Speed Enlightenment.’ Latin American literature and the new medium of periodicals in the group LLC 18th- and 19th-Century Spanish and Iberian</title>
				<link>https://mla.hcommons.org/activity/p/531518/</link>
				<pubDate>Mon, 19 Oct 2015 20:48:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>Drawing upon studies of media history and print culture, this article analyzes the relationship among early-nineteenth-century Latin American periodicals, literary institutions, and new experiences of time and history. Framing these periodicals as a new medium which boomed during and immediately after the wars of independence, it underscores their&hellip;<span class="activity-read-more" id="activity-read-more-531518"><a href="https://mla.hcommons.org/activity/p/531518/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victor Goldgel-Carballo deposited &#039;High-Speed Enlightenment.’ Latin American literature and the new medium of periodicals</title>
				<link>https://mla.hcommons.org/activity/p/531517/</link>
				<pubDate>Mon, 19 Oct 2015 20:48:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>Drawing upon studies of media history and print culture, this article analyzes the relationship among early-nineteenth-century Latin American periodicals, literary institutions, and new experiences of time and history. Framing these periodicals as a new medium which boomed during and immediately after the wars of independence, it underscores their&hellip;<span class="activity-read-more" id="activity-read-more-531517"><a href="https://mla.hcommons.org/activity/p/531517/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victor Goldgel-Carballo deposited The Reappropriation of Poverty and the Art of “Making Do” in Contemporary Argentine Cultural Productions in the group LLC 20th- and 21st-Century Latin American</title>
				<link>https://mla.hcommons.org/activity/p/531516/</link>
				<pubDate>Mon, 19 Oct 2015 20:38:17 +0000</pubDate>

									<content:encoded><![CDATA[<p>Through an analysis of two post-crisis films (Estrellas, Federico León<br />
and Marcos Martínez, 2007; El nexo, Sebastián Antico, 2005) shot in<br />
the largest slum in Buenos Aires, Argentina, this essay sketches the<br />
terms for conceptualizing a cultural dimension of the Global South<br />
marked by the aesthetic reappropriation of poverty. Working ag&hellip;<span class="activity-read-more" id="activity-read-more-531516"><a href="https://mla.hcommons.org/activity/p/531516/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victor Goldgel-Carballo deposited The Reappropriation of Poverty and the Art of “Making Do” in Contemporary Argentine Cultural Productions in the group CLCS Global South</title>
				<link>https://mla.hcommons.org/activity/p/531515/</link>
				<pubDate>Mon, 19 Oct 2015 20:38:17 +0000</pubDate>

									<content:encoded><![CDATA[<p>Through an analysis of two post-crisis films (Estrellas, Federico León<br />
and Marcos Martínez, 2007; El nexo, Sebastián Antico, 2005) shot in<br />
the largest slum in Buenos Aires, Argentina, this essay sketches the<br />
terms for conceptualizing a cultural dimension of the Global South<br />
marked by the aesthetic reappropriation of poverty. Working ag&hellip;<span class="activity-read-more" id="activity-read-more-531515"><a href="https://mla.hcommons.org/activity/p/531515/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">edeed657a3a1479c596f3f18faddc1f2</guid>
				<title>Victor Goldgel-Carballo deposited The Reappropriation of Poverty and the Art of “Making Do” in Contemporary Argentine Cultural Productions</title>
				<link>https://mla.hcommons.org/activity/p/531514/</link>
				<pubDate>Mon, 19 Oct 2015 20:38:16 +0000</pubDate>

									<content:encoded><![CDATA[<p>Through an analysis of two post-crisis films (Estrellas, Federico León<br />
and Marcos Martínez, 2007; El nexo, Sebastián Antico, 2005) shot in<br />
the largest slum in Buenos Aires, Argentina, this essay sketches the<br />
terms for conceptualizing a cultural dimension of the Global South<br />
marked by the aesthetic reappropriation of poverty. Working ag&hellip;<span class="activity-read-more" id="activity-read-more-531514"><a href="https://mla.hcommons.org/activity/p/531514/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Victor Goldgel-Carballo changed their profile picture</title>
				<link>https://mla.hcommons.org/activity/p/530310/</link>
				<pubDate>Mon, 05 Oct 2015 19:52:00 +0000</pubDate>

				
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				<title>Victor Goldgel-Carballo&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/530282/</link>
				<pubDate>Mon, 05 Oct 2015 19:42:35 +0000</pubDate>

				
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				<title>Victor Goldgel-Carballo started the topic CFP: Forms of Informality in the Global South, Madison, WI in the discussion Twentieth-Century Latin American Literature</title>
				<link>https://mla.hcommons.org/groups/twentieth-century-latin-american-literature/forum/topic/cfp-forms-of-informality-in-the-global-south-madison-wi/</link>
				<pubDate>Tue, 07 Jul 2015 15:48:41 +0000</pubDate>

									<content:encoded><![CDATA[<p>CFP<br />
<strong>Forms of Informality: Textual Analysis and Popular Culture in the Global South</strong><br />
<strong>March 11-12, 2016</strong></p>
<p>Keynote speakers: Moradewun Adejunmobi (University of California, Davis) and Juan Poblete (University of California, Santa Cruz)<br />
&nbsp;</p>
<p>We invite scholars working on popular culture in/of the Global South to submit paper proposals that interrogate the&hellip;<span class="activity-read-more" id="activity-read-more-239079"><a href="https://mla.hcommons.org/groups/twentieth-century-latin-american-literature/forum/topic/cfp-forms-of-informality-in-the-global-south-madison-wi/" rel="nofollow ugc">[Read more]</a></span></p>
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