STEM Ed+ Commons | Rebecca Ruth Gould | Activity https://stemedplus.hcommons.org/members/rrgould/activity/ Activity feed for Rebecca Ruth Gould. Sat, 04 Apr 2026 22:37:42 +0000 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 3bbcdf4e23bd8485c4ab8c1c89890cdc Rebecca Ruth Gould created the site The Lighthouse Collective https://hcommons.org/activity/p/1947540/ Thu, 02 Apr 2026 18:45:00 +0000 0 64690df93df73453947d319467715ecd Rebecca Ruth Gould's profile was updated https://hcommons.org/activity/p/1929365/ Tue, 30 Sep 2025 04:49:47 +0000 0 1b521f660a3707c32cfba0e2b3a0b186 Rebecca Ruth Gould's profile was updated https://hcommons.org/activity/p/1917306/ Tue, 29 Apr 2025 13:37:12 +0000 0 faa26f84f2dfda2a397bb3b517ed8d86 Rebecca Ruth Gould's profile was updated https://hcommons.org/activity/p/1909028/ Wed, 15 Jan 2025 10:22:50 +0000 0 1d90faf4d31dcda32394ad783996007a Rebecca Ruth Gould's profile was updated https://hcommons.org/activity/p/1906361/ Fri, 06 Dec 2024 16:30:46 +0000 0 04077749221ed4abd50bb9ad082b670d Rebecca Ruth Gould deposited The Translatability of Love: The Romance Genre and the Prismatic Reception of Jane Eyre in Twentieth-Century Iran in the group Persian and Persianate Studies https://hcommons.org/activity/p/1869219/ Wed, 27 Dec 2023 03:00:57 +0000 This chapter examines how twentieth century Iranian readers situated Jane Eyre within the classical genre of romance literature (adabiyāt-i ʿāshiqāna), originating from the tradition of love narratives in verse (ʿishq-nāma) pioneered by the twelfth century Persian poet Nizami Ganjevi. While romance is only one among several of the original Jane…[Read more]

]]> 0 b0b9e78cb5978f80cfe9248ff3db1955 Rebecca Ruth Gould deposited The Translatability of Love: The Romance Genre and the Prismatic Reception of Jane Eyre in Twentieth-Century Iran in the group Literary Translation https://hcommons.org/activity/p/1869218/ Wed, 27 Dec 2023 03:00:46 +0000 This chapter examines how twentieth century Iranian readers situated Jane Eyre within the classical genre of romance literature (adabiyāt-i ʿāshiqāna), originating from the tradition of love narratives in verse (ʿishq-nāma) pioneered by the twelfth century Persian poet Nizami Ganjevi. While romance is only one among several of the original Jane…[Read more]

]]> 0 92e808fca9abfbd8f445839e5805fafb Rebecca Ruth Gould deposited The Translatability of Love: The Romance Genre and the Prismatic Reception of Jane Eyre in Twentieth-Century Iran in the group English Literature https://hcommons.org/activity/p/1869217/ Wed, 27 Dec 2023 03:00:41 +0000 This chapter examines how twentieth century Iranian readers situated Jane Eyre within the classical genre of romance literature (adabiyāt-i ʿāshiqāna), originating from the tradition of love narratives in verse (ʿishq-nāma) pioneered by the twelfth century Persian poet Nizami Ganjevi. While romance is only one among several of the original Jane…[Read more]

]]> 0 de125da9c6731ddafa54520080617ecc Rebecca Ruth Gould deposited The Translatability of Love: The Romance Genre and the Prismatic Reception of Jane Eyre in Twentieth-Century Iran in the group Digital Books https://hcommons.org/activity/p/1869216/ Wed, 27 Dec 2023 03:00:25 +0000 This chapter examines how twentieth century Iranian readers situated Jane Eyre within the classical genre of romance literature (adabiyāt-i ʿāshiqāna), originating from the tradition of love narratives in verse (ʿishq-nāma) pioneered by the twelfth century Persian poet Nizami Ganjevi. While romance is only one among several of the original Jane…[Read more]

]]> 0 2a9ab7ee02a61c0693682e43e7683a01 Rebecca Ruth Gould deposited The Translatability of Love: The Romance Genre and the Prismatic Reception of Jane Eyre in Twentieth-Century Iran in the group Cultural Studies https://hcommons.org/activity/p/1869215/ Wed, 27 Dec 2023 03:00:11 +0000 This chapter examines how twentieth century Iranian readers situated Jane Eyre within the classical genre of romance literature (adabiyāt-i ʿāshiqāna), originating from the tradition of love narratives in verse (ʿishq-nāma) pioneered by the twelfth century Persian poet Nizami Ganjevi. While romance is only one among several of the original Jane…[Read more]

]]> 0 3edad15120789aca2752693e747386b0 Rebecca Ruth Gould deposited The Translatability of Love: The Romance Genre and the Prismatic Reception of Jane Eyre in Twentieth-Century Iran https://hcommons.org/activity/p/1869196/ Tue, 26 Dec 2023 16:05:19 +0000 This chapter examines how twentieth century Iranian readers situated Jane Eyre within the classical genre of romance literature (adabiyāt-i ʿāshiqāna), originating from the tradition of love narratives in verse (ʿishq-nāma) pioneered by the twelfth century Persian poet Nizami Ganjevi. While romance is only one among several of the original Jane…[Read more]

]]> 0 64e98a5f575a3c398f518db35555c893 Rebecca Ruth Gould deposited Manuscripts Don't Burn in the group Soviet and Russian history and culture https://hcommons.org/activity/p/1859638/ Mon, 25 Sep 2023 18:05:07 +0000 In 2023, a new museum opened in Tbilisi, at the Writer's House of Georgia that previously house the Soviet Writers' Union: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet l…[Read more]

]]> 0 0e17588e2e798d475d22efe80486d18a Rebecca Ruth Gould deposited Manuscripts Don't Burn in the group Poetics and Poetry https://hcommons.org/activity/p/1859637/ Mon, 25 Sep 2023 18:04:48 +0000 In 2023, a new museum opened in Tbilisi, at the Writer's House of Georgia that previously house the Soviet Writers' Union: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet l…[Read more]

]]> 0 eb1047c13c374505b88fefa3ab1974d7 Rebecca Ruth Gould deposited Manuscripts Don't Burn in the group Place Studies https://hcommons.org/activity/p/1859636/ Mon, 25 Sep 2023 18:04:46 +0000 In 2023, a new museum opened in Tbilisi, at the Writer's House of Georgia that previously house the Soviet Writers' Union: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet l…[Read more]

]]> 0 03fbbd7c1be8d0d53cf89c58b0a46d7a Rebecca Ruth Gould deposited Manuscripts Don't Burn in the group Cultural Studies https://hcommons.org/activity/p/1859635/ Mon, 25 Sep 2023 18:04:35 +0000 In 2023, a new museum opened in Tbilisi, at the Writer's House of Georgia that previously house the Soviet Writers' Union: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet l…[Read more]

]]> 0 38a48bc71d98e6429cbcb8fa7322c008 Rebecca Ruth Gould deposited Manuscripts Don't Burn in the group Archives https://hcommons.org/activity/p/1859634/ Mon, 25 Sep 2023 18:04:25 +0000 In 2023, a new museum opened in Tbilisi, at the Writer's House of Georgia that previously house the Soviet Writers' Union: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet l…[Read more]

]]> 0 b996be2e9332051c2a29380193111c3e Rebecca Ruth Gould deposited Translating Line Breaks: A View from Persian Poetics in the group Persian and Persianate Studies https://hcommons.org/activity/p/1859626/ Mon, 25 Sep 2023 18:03:22 +0000 Line breaks are arguably the defining feature of poetry, in the absence of which a text becomes prose. Consequently, the translation of line breaks is a decisive issue for every poetry translator. Classical and modern literary theorists have argued that the potential for enjambment, which we understand as the effect that makes line breaks possible…[Read more]

]]> 0 3e6478bb51fda46cb2db22cdf74ac217 Rebecca Ruth Gould deposited Translating Line Breaks: A View from Persian Poetics in the group Literary Translation https://hcommons.org/activity/p/1859625/ Mon, 25 Sep 2023 18:03:11 +0000 Line breaks are arguably the defining feature of poetry, in the absence of which a text becomes prose. Consequently, the translation of line breaks is a decisive issue for every poetry translator. Classical and modern literary theorists have argued that the potential for enjambment, which we understand as the effect that makes line breaks possible…[Read more]

]]> 0 4f20a6840d659f32eba142ed11f0a58c Rebecca Ruth Gould deposited Translating Line Breaks: A View from Persian Poetics in the group Literary theory https://hcommons.org/activity/p/1859624/ Mon, 25 Sep 2023 18:02:59 +0000 Line breaks are arguably the defining feature of poetry, in the absence of which a text becomes prose. Consequently, the translation of line breaks is a decisive issue for every poetry translator. Classical and modern literary theorists have argued that the potential for enjambment, which we understand as the effect that makes line breaks possible…[Read more]

]]> 0 d0e695298ac2c712d95372b00c81bf8d Rebecca Ruth Gould deposited Translating Line Breaks: A View from Persian Poetics in the group Global Literary Theory https://hcommons.org/activity/p/1859623/ Mon, 25 Sep 2023 18:02:57 +0000 Line breaks are arguably the defining feature of poetry, in the absence of which a text becomes prose. Consequently, the translation of line breaks is a decisive issue for every poetry translator. Classical and modern literary theorists have argued that the potential for enjambment, which we understand as the effect that makes line breaks possible…[Read more]

]]> 0 ae72c29a80c5d25af9c41154d5051364 Rebecca Ruth Gould deposited Translating Line Breaks: A View from Persian Poetics in the group Comparison https://hcommons.org/activity/p/1859622/ Mon, 25 Sep 2023 18:02:56 +0000 Line breaks are arguably the defining feature of poetry, in the absence of which a text becomes prose. Consequently, the translation of line breaks is a decisive issue for every poetry translator. Classical and modern literary theorists have argued that the potential for enjambment, which we understand as the effect that makes line breaks possible…[Read more]

]]> 0 ddaab19f2079ef7856e03d92584b2765 Rebecca Ruth Gould's profile was updated https://hcommons.org/activity/p/1859474/ Sun, 24 Sep 2023 19:17:53 +0000 0 990f162e89966003f4e28e108b1c547c Rebecca Ruth Gould deposited Manuscripts Don't Burn https://hcommons.org/activity/p/1859465/ Sun, 24 Sep 2023 18:27:59 +0000 A new museum has opened in Tbilisi at the Writer's House of Georgia: The Museum of Repressed Writers. The museum honours the executed poets from Georgia’s Soviet past, poets whose identities Soviet authorities tried to destroy. This article examines the story the museum tells about Soviet literary and political history.

]]> 0 90a6f5cc285a267ddc1f510fbb4b5316 Rebecca Ruth Gould deposited Translating Line Breaks: A View from Persian Poetics https://hcommons.org/activity/p/1859464/ Sun, 24 Sep 2023 18:17:36 +0000 Line breaks are arguably the defining feature of poetry, in the absence of which a text becomes prose. Consequently, the translation of line breaks is a decisive issue for every poetry translator. Classical and modern literary theorists have argued that the potential for enjambment, which we understand as the effect that makes line breaks possible…[Read more]

]]> 0 a90b08e76e5a2600fa42db02ef2ac634 Rebecca Ruth Gould deposited Ajnabi, or The Xenological Uncanny in Iranian Modernism,” New Literary History (2021) in the group Persian and Persianate Studies https://hcommons.org/activity/p/1751838/ Tue, 14 Sep 2021 02:25:45 +0000 Within Iran, the transformation in the Islamic legal understanding of the foreign (ajnabi) into a political concept was accelerated by the encounter with Europe during the 19th century. The classical Iranian understanding of otherness as a domain fully demarcated from the self was replaced by an internalized other, resulting in what we call here…[Read more]

]]> 0 eb0f26e477eec3cea97c9bfb249bfa5a Rebecca Ruth Gould deposited Ajnabi, or The Xenological Uncanny in Iranian Modernism,” New Literary History (2021) in the group Literary theory https://hcommons.org/activity/p/1751837/ Tue, 14 Sep 2021 02:25:35 +0000 Within Iran, the transformation in the Islamic legal understanding of the foreign (ajnabi) into a political concept was accelerated by the encounter with Europe during the 19th century. The classical Iranian understanding of otherness as a domain fully demarcated from the self was replaced by an internalized other, resulting in what we call here…[Read more]

]]> 0 eeb70ec89aeb47748a986a44e3f6a80a Rebecca Ruth Gould deposited Ajnabi, or The Xenological Uncanny in Iranian Modernism,” New Literary History (2021) in the group Global & Transnational Studies https://hcommons.org/activity/p/1751836/ Tue, 14 Sep 2021 02:25:26 +0000 Within Iran, the transformation in the Islamic legal understanding of the foreign (ajnabi) into a political concept was accelerated by the encounter with Europe during the 19th century. The classical Iranian understanding of otherness as a domain fully demarcated from the self was replaced by an internalized other, resulting in what we call here…[Read more]

]]> 0 2db7cecf452f7faf9f8ccd1d63bc5530 Rebecca Ruth Gould deposited Ajnabi, or The Xenological Uncanny in Iranian Modernism,” New Literary History (2021) in the group Cultural Studies https://hcommons.org/activity/p/1751835/ Tue, 14 Sep 2021 02:25:15 +0000 Within Iran, the transformation in the Islamic legal understanding of the foreign (ajnabi) into a political concept was accelerated by the encounter with Europe during the 19th century. The classical Iranian understanding of otherness as a domain fully demarcated from the self was replaced by an internalized other, resulting in what we call here…[Read more]

]]> 0 2db7cecf452f7faf9f8ccd1d63bc5530 Rebecca Ruth Gould deposited Ajnabi, or The Xenological Uncanny in Iranian Modernism,” New Literary History (2021) in the group Comparison https://hcommons.org/activity/p/1751834/ Tue, 14 Sep 2021 02:25:15 +0000 Within Iran, the transformation in the Islamic legal understanding of the foreign (ajnabi) into a political concept was accelerated by the encounter with Europe during the 19th century. The classical Iranian understanding of otherness as a domain fully demarcated from the self was replaced by an internalized other, resulting in what we call here…[Read more]

]]> 0 01d66dc92cd04c56bda7f93ce75a2bc3 Rebecca Ruth Gould deposited The Temporality of Interlinear Translation: Kairos in the Persian Hölderlin (Representations, 2021) in the group Translation Studies https://hcommons.org/activity/p/1751833/ Tue, 14 Sep 2021 02:25:13 +0000 This article examines the temporality of interlinear translation through a case study of the rendering of Friedrich Hölderlin’s poetry into Persian. We argue that, in its adherence to the word order of the original, the interlinear crib prioritizes the temporality of the instant (kairos) over the temporality of the linear sequence (chronos). Ka…[Read more]

]]> 0 4313688aa362527e7e820c361d67f909 Rebecca Ruth Gould deposited The Temporality of Interlinear Translation: Kairos in the Persian Hölderlin (Representations, 2021) in the group Poetics and Poetry https://hcommons.org/activity/p/1751832/ Tue, 14 Sep 2021 02:24:47 +0000 This article examines the temporality of interlinear translation through a case study of the rendering of Friedrich Hölderlin’s poetry into Persian. We argue that, in its adherence to the word order of the original, the interlinear crib prioritizes the temporality of the instant (kairos) over the temporality of the linear sequence (chronos). Ka…[Read more]

]]> 0 5eb12c7419fa4a0f3944a4b6a46ece8e Rebecca Ruth Gould deposited The Temporality of Interlinear Translation: Kairos in the Persian Hölderlin (Representations, 2021) in the group Persian and Persianate Studies https://hcommons.org/activity/p/1751831/ Tue, 14 Sep 2021 02:24:46 +0000 This article examines the temporality of interlinear translation through a case study of the rendering of Friedrich Hölderlin’s poetry into Persian. We argue that, in its adherence to the word order of the original, the interlinear crib prioritizes the temporality of the instant (kairos) over the temporality of the linear sequence (chronos). Ka…[Read more]

]]> 0 4d60ab155fa5d635d7cddbc84d3349c9 Rebecca Ruth Gould deposited The Temporality of Interlinear Translation: Kairos in the Persian Hölderlin (Representations, 2021) in the group Literary Translation https://hcommons.org/activity/p/1751830/ Tue, 14 Sep 2021 02:24:34 +0000 This article examines the temporality of interlinear translation through a case study of the rendering of Friedrich Hölderlin’s poetry into Persian. We argue that, in its adherence to the word order of the original, the interlinear crib prioritizes the temporality of the instant (kairos) over the temporality of the linear sequence (chronos). Ka…[Read more]

]]> 0 681587e399121667035c259e1eea219d Rebecca Ruth Gould deposited The Temporality of Interlinear Translation: Kairos in the Persian Hölderlin (Representations, 2021) in the group Global Literary Theory https://hcommons.org/activity/p/1751829/ Tue, 14 Sep 2021 02:24:31 +0000 This article examines the temporality of interlinear translation through a case study of the rendering of Friedrich Hölderlin’s poetry into Persian. We argue that, in its adherence to the word order of the original, the interlinear crib prioritizes the temporality of the instant (kairos) over the temporality of the linear sequence (chronos). Ka…[Read more]

]]> 0 f0e69c64b277930fdd17715f5a3a2e25 Rebecca Ruth Gould deposited Watching Chekhov in Tehran: From Superfluous Men to Female Revolutionaries (Comparative Drama, 2021) in the group Persian and Persianate Studies https://hcommons.org/activity/p/1751828/ Tue, 14 Sep 2021 02:24:30 +0000 In the summer of 2011, an adaptation of Anton Chekhov’s Ivanov (1887) debuted on the Iranian stage. The director and playwright Amir-Reza Koohestani (b. 1978) created a production that was faithful to the classic status of this text while also maximizing its resonance with a contemporary Iranian audience. I explore how Koohestani achieved this b…[Read more]

]]> 0 29e54eb691d1b1409033f2860c5d1ee9 Rebecca Ruth Gould deposited Watching Chekhov in Tehran: From Superfluous Men to Female Revolutionaries (Comparative Drama, 2021) in the group Literary Translation https://hcommons.org/activity/p/1751827/ Tue, 14 Sep 2021 02:24:17 +0000 In the summer of 2011, an adaptation of Anton Chekhov’s Ivanov (1887) debuted on the Iranian stage. The director and playwright Amir-Reza Koohestani (b. 1978) created a production that was faithful to the classic status of this text while also maximizing its resonance with a contemporary Iranian audience. I explore how Koohestani achieved this b…[Read more]

]]> 0 970b1da94767c11d7667373b9e13cf4a Rebecca Ruth Gould deposited Watching Chekhov in Tehran: From Superfluous Men to Female Revolutionaries (Comparative Drama, 2021) in the group Global Literary Theory https://hcommons.org/activity/p/1751826/ Tue, 14 Sep 2021 02:24:14 +0000 In the summer of 2011, an adaptation of Anton Chekhov’s Ivanov (1887) debuted on the Iranian stage. The director and playwright Amir-Reza Koohestani (b. 1978) created a production that was faithful to the classic status of this text while also maximizing its resonance with a contemporary Iranian audience. I explore how Koohestani achieved this b…[Read more]

]]> 0 5ebfd0a2421d234a0dff0edaaf70e59f Rebecca Ruth Gould deposited Watching Chekhov in Tehran: From Superfluous Men to Female Revolutionaries (Comparative Drama, 2021) in the group Global & Transnational Studies https://hcommons.org/activity/p/1751825/ Tue, 14 Sep 2021 02:24:01 +0000 In the summer of 2011, an adaptation of Anton Chekhov’s Ivanov (1887) debuted on the Iranian stage. The director and playwright Amir-Reza Koohestani (b. 1978) created a production that was faithful to the classic status of this text while also maximizing its resonance with a contemporary Iranian audience. I explore how Koohestani achieved this b…[Read more]

]]> 0 dced16a353ae0a8e481d74d181771600 Rebecca Ruth Gould deposited Watching Chekhov in Tehran: From Superfluous Men to Female Revolutionaries (Comparative Drama, 2021) in the group Cultural Studies https://hcommons.org/activity/p/1751824/ Tue, 14 Sep 2021 02:23:38 +0000 In the summer of 2011, an adaptation of Anton Chekhov’s Ivanov (1887) debuted on the Iranian stage. The director and playwright Amir-Reza Koohestani (b. 1978) created a production that was faithful to the classic status of this text while also maximizing its resonance with a contemporary Iranian audience. I explore how Koohestani achieved this b…[Read more]

]]> 0 870c835d5ccecd4e75f1ea3c1be79668 Rebecca Ruth Gould deposited Ajnabi, or The Xenological Uncanny in Iranian Modernism,” New Literary History (2021) https://hcommons.org/activity/p/1751745/ Mon, 13 Sep 2021 05:46:09 +0000 Within Iran, the transformation in the Islamic legal understanding of the foreign (ajnabi) into a political concept was accelerated by the encounter with Europe during the 19th century. The classical Iranian understanding of otherness as a domain fully demarcated from the self was replaced by an internalized other, resulting in what we call here…[Read more]

]]> 0 4c048f17c3bd27caf678156f4afbf766 Rebecca Ruth Gould deposited The Temporality of Interlinear Translation: Kairos in the Persian Hölderlin (Representations, 2021) https://hcommons.org/activity/p/1751744/ Mon, 13 Sep 2021 05:22:39 +0000 This article examines the temporality of interlinear translation through a case study of the rendering of Friedrich Hölderlin’s poetry into Persian. We argue that, in its adherence to the word order of the original, the interlinear crib prioritizes the temporality of the instant (kairos) over the temporality of the linear sequence (chronos). Ka…[Read more]

]]> 0 ffd3eeee5cae04c253482a9a209ae2dd Rebecca Ruth Gould deposited Watching Chekhov in Tehran: From Superfluous Men to Female Revolutionaries (Comparative Drama, 2021) https://hcommons.org/activity/p/1751742/ Mon, 13 Sep 2021 05:18:19 +0000 In the summer of 2011, an adaptation of Anton Chekhov’s Ivanov (1887) debuted on the Iranian stage. The director and playwright Amir-Reza Koohestani (b. 1978) created a production that was faithful to the classic status of this text while also maximizing its resonance with a contemporary Iranian audience. I explore how Koohestani achieved this b…[Read more]

]]> 0 f8ba768db543a2ae6a6eb77f83a4e645 Rebecca Ruth Gould created the site Poetry and Protest (A YouTube Channel) https://hcommons.org/activity/p/1746186/ Mon, 19 Jul 2021 00:13:57 +0000 0 d7ee07bb86bec2e50b0aba76e0c26abd Rebecca Ruth Gould wrote a new post, Hello world!, on the site Poetry and Protest (A YouTube Channel) https://poetryandprotest.hcommons.org/?p=1 Mon, 19 Jul 2021 00:13:55 +0000 de5c02c753c1f83fd2858cfea0be5921 Rebecca Ruth Gould wrote a new post, another review2, on the site Rebecca R. Gould https://rrgould.hcommons.org/?p=1499 Tue, 13 Jul 2021 04:37:03 +0000 another review

]]> bd1c9f1b9eb4a42854a027c8bfcced5e Rebecca Ruth Gould wrote a new post, another review1, on the site Rebecca R. Gould https://rrgould.hcommons.org/?p=1497 Tue, 13 Jul 2021 04:36:51 +0000 another review1

]]> 9906529264a61923c7cdf40ea27911e0 Rebecca Ruth Gould wrote a new post, book review 3, on the site Rebecca Ruth Gould https://rrgould.hcommons.org/?p=1394 Tue, 06 Jul 2021 19:14:29 +0000 The New World Written
REVIEWED BY REBECCA RUTH GOULD
 

The first collected edition in English of poems by Mexican poet María Baranda, this volume features work from twelve separate poetry collections s […]

]]> b8999196e65b8b5dabb8e253dfcd5ae1 Rebecca Ruth Gould wrote a new post, book review 1, on the site Rebecca Ruth Gould https://rrgould.hcommons.org/?p=1393 Tue, 06 Jul 2021 19:14:29 +0000 replace text with TRAN KHAHN

]]> 4b96f87427b039e31526a92a8f9bc70d Rebecca Ruth Gould deposited Hard Translation: Persian Poetry and Post-National Literary Form (2018) in the group Translation Studies https://hcommons.org/activity/p/1739550/ Wed, 26 May 2021 02:25:01 +0000 This essay examines how translation theory can globalize contemporary literary comparison. Whereas Persian studies has historically been isolated from the latest developments within literary theory, world literature has similarly been isolated from the latest developments within the study of non-European literatures. I propose the methodology of…[Read more]

]]> 0 4b96f87427b039e31526a92a8f9bc70d Rebecca Ruth Gould deposited Hard Translation: Persian Poetry and Post-National Literary Form (2018) in the group Persian and Persianate Studies https://hcommons.org/activity/p/1739549/ Wed, 26 May 2021 02:25:01 +0000 This essay examines how translation theory can globalize contemporary literary comparison. Whereas Persian studies has historically been isolated from the latest developments within literary theory, world literature has similarly been isolated from the latest developments within the study of non-European literatures. I propose the methodology of…[Read more]

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