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	<title>STEM Ed+ Commons | Richard Elliott | Activity</title>
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				<title>Richard Elliott&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1906048/</link>
				<pubDate>Mon, 02 Dec 2024 13:25:17 +0000</pubDate>

				
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				<title>Richard Elliott&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1833511/</link>
				<pubDate>Thu, 09 Feb 2023 23:09:35 +0000</pubDate>

				
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				<title>Richard Elliott&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1609764/</link>
				<pubDate>Sat, 02 Jun 2018 14:43:46 +0000</pubDate>

				
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				<title>Richard Elliott deposited A Dream Deferred: Nina Simone and the Work of Mourning in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1601687/</link>
				<pubDate>Sat, 24 Feb 2018 04:33:53 +0000</pubDate>

									<content:encoded><![CDATA[<p>This talk presents work from Richard Elliott's recent book about the late singer, songwriter, pianist and civil rights activist Nina Simone. It focuses on Simone's reaction to what she saw as the failure of the civil rights movement and how that reaction was played out in her work from the end of the 1960s onwards, blending into a personal but&hellip;<span class="activity-read-more" id="activity-read-more-1601687"><a href="https://hcommons.org/activity/p/1601687/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited A Dream Deferred: Nina Simone and the Work of Mourning in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1601686/</link>
				<pubDate>Sat, 24 Feb 2018 04:33:51 +0000</pubDate>

									<content:encoded><![CDATA[<p>This talk presents work from Richard Elliott's recent book about the late singer, songwriter, pianist and civil rights activist Nina Simone. It focuses on Simone's reaction to what she saw as the failure of the civil rights movement and how that reaction was played out in her work from the end of the 1960s onwards, blending into a personal but&hellip;<span class="activity-read-more" id="activity-read-more-1601686"><a href="https://hcommons.org/activity/p/1601686/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited “All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1601684/</link>
				<pubDate>Sat, 24 Feb 2018 04:33:01 +0000</pubDate>

									<content:encoded><![CDATA[<p>Although most often remembered as an icon of the civil rights era, Nina Simone enjoyed (and occasionally endured) a long career during which the bulk of the songs she performed dealt with the politics, pains and precariousness of the self. Her work—always suffused with longing, sensuality and the passion of being—took on, in her later career, wha&hellip;<span class="activity-read-more" id="activity-read-more-1601684"><a href="https://hcommons.org/activity/p/1601684/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited “All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1601683/</link>
				<pubDate>Sat, 24 Feb 2018 04:32:59 +0000</pubDate>

									<content:encoded><![CDATA[<p>Although most often remembered as an icon of the civil rights era, Nina Simone enjoyed (and occasionally endured) a long career during which the bulk of the songs she performed dealt with the politics, pains and precariousness of the self. Her work—always suffused with longing, sensuality and the passion of being—took on, in her later career, wha&hellip;<span class="activity-read-more" id="activity-read-more-1601683"><a href="https://hcommons.org/activity/p/1601683/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited “Time and Distance Are No Object” in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1601681/</link>
				<pubDate>Sat, 24 Feb 2018 04:32:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>Whether temporally or spatially focussed, nostalgia results from a division between what is longed for and the moment of longing. This article examines this “nostalgia gap” alongside the analogous gap found in representation. The relationship is highlighted via an analysis of “holiday records”, a genre of recordings that became prevalent in the&hellip;<span class="activity-read-more" id="activity-read-more-1601681"><a href="https://hcommons.org/activity/p/1601681/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited “Time and Distance Are No Object” in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1601680/</link>
				<pubDate>Sat, 24 Feb 2018 04:32:20 +0000</pubDate>

									<content:encoded><![CDATA[<p>Whether temporally or spatially focussed, nostalgia results from a division between what is longed for and the moment of longing. This article examines this “nostalgia gap” alongside the analogous gap found in representation. The relationship is highlighted via an analysis of “holiday records”, a genre of recordings that became prevalent in the&hellip;<span class="activity-read-more" id="activity-read-more-1601680"><a href="https://hcommons.org/activity/p/1601680/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1601678/</link>
				<pubDate>Sat, 24 Feb 2018 04:31:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>Taylor Swift’s songs invite listeners to connect art and life in the tradition, if not always the style, of the ‘confessional’ singer-songwriter. From an early age, Swift has written and sung about ‘big topics’ like time and experience with a remarkable sense of self awareness. Her songs hymn youthful experience to great effect through reference&hellip;<span class="activity-read-more" id="activity-read-more-1601678"><a href="https://hcommons.org/activity/p/1601678/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1601677/</link>
				<pubDate>Sat, 24 Feb 2018 04:31:41 +0000</pubDate>

									<content:encoded><![CDATA[<p>Taylor Swift’s songs invite listeners to connect art and life in the tradition, if not always the style, of the ‘confessional’ singer-songwriter. From an early age, Swift has written and sung about ‘big topics’ like time and experience with a remarkable sense of self awareness. Her songs hymn youthful experience to great effect through reference&hellip;<span class="activity-read-more" id="activity-read-more-1601677"><a href="https://hcommons.org/activity/p/1601677/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited A Dream Deferred: Nina Simone and the Work of Mourning</title>
				<link>https://hcommons.org/activity/p/1601637/</link>
				<pubDate>Fri, 23 Feb 2018 17:24:39 +0000</pubDate>

									<content:encoded><![CDATA[<p>This talk presents work from Richard Elliott's recent book about the late singer, songwriter, pianist and civil rights activist Nina Simone. It focuses on Simone's reaction to what she saw as the failure of the civil rights movement and how that reaction was played out in her work from the end of the 1960s onwards, blending into a personal but&hellip;<span class="activity-read-more" id="activity-read-more-1601637"><a href="https://hcommons.org/activity/p/1601637/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited “All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone</title>
				<link>https://hcommons.org/activity/p/1601627/</link>
				<pubDate>Fri, 23 Feb 2018 16:26:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>Although most often remembered as an icon of the civil rights era, Nina Simone enjoyed (and occasionally endured) a long career during which the bulk of the songs she performed dealt with the politics, pains and precariousness of the self. Her work—always suffused with longing, sensuality and the passion of being—took on, in her later career, wha&hellip;<span class="activity-read-more" id="activity-read-more-1601627"><a href="https://hcommons.org/activity/p/1601627/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice</title>
				<link>https://hcommons.org/activity/p/1601626/</link>
				<pubDate>Fri, 23 Feb 2018 16:18:27 +0000</pubDate>

									<content:encoded><![CDATA[<p>Taylor Swift’s songs invite listeners to connect art and life in the tradition, if not always the style, of the ‘confessional’ singer-songwriter. From an early age, Swift has written and sung about ‘big topics’ like time and experience with a remarkable sense of self awareness. Her songs hymn youthful experience to great effect through reference&hellip;<span class="activity-read-more" id="activity-read-more-1601626"><a href="https://hcommons.org/activity/p/1601626/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited “Time and Distance Are No Object”</title>
				<link>https://hcommons.org/activity/p/1601621/</link>
				<pubDate>Fri, 23 Feb 2018 15:35:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>Whether temporally or spatially focussed, nostalgia results from a division between what is longed for and the moment of longing. This article examines this “nostalgia gap” alongside the analogous gap found in representation. The relationship is highlighted via an analysis of “holiday records”, a genre of recordings that became prevalent in the&hellip;<span class="activity-read-more" id="activity-read-more-1601621"><a href="https://hcommons.org/activity/p/1601621/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited Where I Come From: Place, Race, Memory and Experience in Rap and Country Music – A Comparative Study</title>
				<link>https://hcommons.org/activity/p/1600344/</link>
				<pubDate>Sat, 10 Feb 2018 19:42:42 +0000</pubDate>

									<content:encoded><![CDATA[<p>This work examines certain lyrical elements in rap and country music and the ways they are voiced. As different as these genres are from each other they share certain important characteristics. The main themes I focus on are place, race, memory and experience. I also look at how these themes are used in the creation of authenticity and how&hellip;<span class="activity-read-more" id="activity-read-more-1600344"><a href="https://hcommons.org/activity/p/1600344/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1596961/</link>
				<pubDate>Sun, 14 Jan 2018 11:27:59 +0000</pubDate>

				
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				<title>Richard Elliott deposited The Late Voice (Introduction) in the group Philosophy</title>
				<link>https://hcommons.org/activity/p/1596929/</link>
				<pubDate>Sun, 14 Jan 2018 04:17:34 +0000</pubDate>

									<content:encoded><![CDATA[<p>Introduction to The Late Voice: Time, Age and Experience in Popular Music.</p>
<p>Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice undertakes such an analysis by considering issues of time, age, memory, innocence and experience in modern popular&hellip;<span class="activity-read-more" id="activity-read-more-1596929"><a href="https://hcommons.org/activity/p/1596929/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited The Late Voice (Introduction) in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1596928/</link>
				<pubDate>Sun, 14 Jan 2018 04:17:33 +0000</pubDate>

									<content:encoded><![CDATA[<p>Introduction to The Late Voice: Time, Age and Experience in Popular Music.</p>
<p>Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice undertakes such an analysis by considering issues of time, age, memory, innocence and experience in modern popular&hellip;<span class="activity-read-more" id="activity-read-more-1596928"><a href="https://hcommons.org/activity/p/1596928/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited The Late Voice (Introduction) in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1596927/</link>
				<pubDate>Sun, 14 Jan 2018 04:17:31 +0000</pubDate>

									<content:encoded><![CDATA[<p>Introduction to The Late Voice: Time, Age and Experience in Popular Music.</p>
<p>Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice undertakes such an analysis by considering issues of time, age, memory, innocence and experience in modern popular&hellip;<span class="activity-read-more" id="activity-read-more-1596927"><a href="https://hcommons.org/activity/p/1596927/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited The Late Voice (Introduction)</title>
				<link>https://hcommons.org/activity/p/1596865/</link>
				<pubDate>Sat, 13 Jan 2018 18:03:00 +0000</pubDate>

									<content:encoded><![CDATA[<p>Introduction to The Late Voice: Time, Age and Experience in Popular Music<br />
Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice undertakes such an analysis by considering issues of time, age, memory, innocence and experience in modern popular&hellip;<span class="activity-read-more" id="activity-read-more-1596865"><a href="https://hcommons.org/activity/p/1596865/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1596864/</link>
				<pubDate>Sat, 13 Jan 2018 17:34:44 +0000</pubDate>

				
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				<title>Richard Elliott deposited The Sound of Nonsense in the group Sound Poetry</title>
				<link>https://hcommons.org/activity/p/1596435/</link>
				<pubDate>Thu, 11 Jan 2018 23:05:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>‘Watch the sense and the sounds will take care of themselves’; so says the Duchess in Alice’s Adventures in Wonderland. But can we be so sure of this? The Duchess, like her creator Lewis Carroll, often seems to put more emphasis on the sound of words than their sense, a technique that can also be detected in other written texts and in works of so&hellip;<span class="activity-read-more" id="activity-read-more-1596435"><a href="https://hcommons.org/activity/p/1596435/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited The Sound of Nonsense in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1596434/</link>
				<pubDate>Thu, 11 Jan 2018 23:05:53 +0000</pubDate>

									<content:encoded><![CDATA[<p>‘Watch the sense and the sounds will take care of themselves’; so says the Duchess in Alice’s Adventures in Wonderland. But can we be so sure of this? The Duchess, like her creator Lewis Carroll, often seems to put more emphasis on the sound of words than their sense, a technique that can also be detected in other written texts and in works of so&hellip;<span class="activity-read-more" id="activity-read-more-1596434"><a href="https://hcommons.org/activity/p/1596434/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited The Sound of Nonsense in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1596433/</link>
				<pubDate>Thu, 11 Jan 2018 23:05:50 +0000</pubDate>

									<content:encoded><![CDATA[<p>‘Watch the sense and the sounds will take care of themselves’; so says the Duchess in Alice’s Adventures in Wonderland. But can we be so sure of this? The Duchess, like her creator Lewis Carroll, often seems to put more emphasis on the sound of words than their sense, a technique that can also be detected in other written texts and in works of so&hellip;<span class="activity-read-more" id="activity-read-more-1596433"><a href="https://hcommons.org/activity/p/1596433/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited nonsensemix in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1596427/</link>
				<pubDate>Thu, 11 Jan 2018 23:03:59 +0000</pubDate>

									<content:encoded><![CDATA[<p>An audio taster of my book The Sound of Nonsense. The taster includes samples of recordings of the work of some of the novelists, poets, musicians and performers who are used as case studies in the book. The taster is designed to both provide an overview of the subject matter of the book and to model one of the types of sonic nonsense discussed in&hellip;<span class="activity-read-more" id="activity-read-more-1596427"><a href="https://hcommons.org/activity/p/1596427/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited The Sound of Nonsense</title>
				<link>https://hcommons.org/activity/p/1595585/</link>
				<pubDate>Mon, 08 Jan 2018 14:56:32 +0000</pubDate>

									<content:encoded><![CDATA[<p>‘Watch the sense and the sounds will take care of themselves’; so says the Duchess in Alice’s Adventures in Wonderland. But can we be so sure of this? The Duchess, like her creator Lewis Carroll, often seems to put more emphasis on the sound of words than their sense, a technique that can also be detected in other written texts and in works of so&hellip;<span class="activity-read-more" id="activity-read-more-1595585"><a href="https://hcommons.org/activity/p/1595585/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott deposited nonsensemix</title>
				<link>https://hcommons.org/activity/p/1595421/</link>
				<pubDate>Sun, 07 Jan 2018 19:13:51 +0000</pubDate>

									<content:encoded><![CDATA[<p>An audio taster of my book The Sound of Nonsense. The taster includes samples of recordings of the work of some of the novelists, poets, musicians and performers who are used as case studies in the book. The tatser is designed to both provide an overview of the subject matter of the book and to model one of the types of sonic nonsense discussed in&hellip;<span class="activity-read-more" id="activity-read-more-1595421"><a href="https://hcommons.org/activity/p/1595421/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Richard Elliott&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1595414/</link>
				<pubDate>Sun, 07 Jan 2018 18:30:06 +0000</pubDate>

				
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