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	<title>STEM Ed+ Commons | Minni Sawhney | Activity</title>
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				<title>Minni Sawhney deposited Buddhism in the Oeuvre of Severo Sarduy in the group LLC Latina and Latino</title>
				<link>https://mla.hcommons.org/activity/p/1879221/</link>
				<pubDate>Tue, 12 Mar 2024 03:03:19 +0000</pubDate>

									<content:encoded><![CDATA[<p>The exiled Cuban French novelist, essayist, poet Severo Sarduy (1937-1993) converted to Mahayana Buddhism in 1971 after his journeys to Nepal, Bhutan and Sikkim. Untramelled by the rituals of his new faith, he remained unabashed in his critique of socio – political Buddhism (as in the novel Maitreya). Instead, Buddhism for him meant a creativity t&hellip;<span class="activity-read-more" id="activity-read-more-1879221"><a href="https://mla.hcommons.org/activity/p/1879221/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Minni Sawhney deposited Buddhism in the Oeuvre of Severo Sarduy in the group GS Travel Writing</title>
				<link>https://mla.hcommons.org/activity/p/1879220/</link>
				<pubDate>Tue, 12 Mar 2024 03:01:13 +0000</pubDate>

									<content:encoded><![CDATA[<p>The exiled Cuban French novelist, essayist, poet Severo Sarduy (1937-1993) converted to Mahayana Buddhism in 1971 after his journeys to Nepal, Bhutan and Sikkim. Untramelled by the rituals of his new faith, he remained unabashed in his critique of socio – political Buddhism (as in the novel Maitreya). Instead, Buddhism for him meant a creativity t&hellip;<span class="activity-read-more" id="activity-read-more-1879220"><a href="https://mla.hcommons.org/activity/p/1879220/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Minni Sawhney deposited Buddhism in the Oeuvre of Severo Sarduy in the group CLCS Global South</title>
				<link>https://mla.hcommons.org/activity/p/1879219/</link>
				<pubDate>Tue, 12 Mar 2024 03:00:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>The exiled Cuban French novelist, essayist, poet Severo Sarduy (1937-1993) converted to Mahayana Buddhism in 1971 after his journeys to Nepal, Bhutan and Sikkim. Untramelled by the rituals of his new faith, he remained unabashed in his critique of socio – political Buddhism (as in the novel Maitreya). Instead, Buddhism for him meant a creativity t&hellip;<span class="activity-read-more" id="activity-read-more-1879219"><a href="https://mla.hcommons.org/activity/p/1879219/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Minni Sawhney deposited Buddhism in the Oeuvre of Severo Sarduy</title>
				<link>https://hcommons.org/activity/p/1879152/</link>
				<pubDate>Mon, 11 Mar 2024 05:53:38 +0000</pubDate>

									<content:encoded><![CDATA[<p>The exiled Cuban French novelist, essayist, poet Severo Sarduy (1937-1993) converted to Mahayana Buddhism in 1971 after his journeys to Nepal, Bhutan and Sikkim. Untramelled by the rituals of his new faith, he remained unabashed in his critique of socio – political Buddhism (as in the novel Maitreya). Instead, Buddhism for him meant a creativity t&hellip;<span class="activity-read-more" id="activity-read-more-1879152"><a href="https://hcommons.org/activity/p/1879152/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Minni Sawhney deposited Violencia e identidades: Elmer Mendoza y la creación de una saga detectivesca in the group LLC Mexican</title>
				<link>https://mla.hcommons.org/activity/p/1826718/</link>
				<pubDate>Fri, 16 Dec 2022 03:50:40 +0000</pubDate>

									<content:encoded><![CDATA[<p>The portrayal of narcotrafficking in the novels of Elmer Mendoza.</p>
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				<title>Minni Sawhney deposited Violencia e identidades: Elmer Mendoza y la creación de una saga detectivesca in the group LLC Latina and Latino</title>
				<link>https://mla.hcommons.org/activity/p/1826717/</link>
				<pubDate>Fri, 16 Dec 2022 03:50:04 +0000</pubDate>

									<content:encoded><![CDATA[<p>The portrayal of narcotrafficking in the novels of Elmer Mendoza.</p>
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				<title>Minni Sawhney deposited Violencia e identidades: Elmer Mendoza y la creación de una saga detectivesca in the group CLCS Global South</title>
				<link>https://mla.hcommons.org/activity/p/1826716/</link>
				<pubDate>Fri, 16 Dec 2022 03:49:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>The portrayal of narcotrafficking in the novels of Elmer Mendoza.</p>
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				<title>Minni Sawhney deposited Violencia e identidades: Elmer Mendoza y la creación de una saga detectivesca</title>
				<link>https://mla.hcommons.org/activity/p/1826697/</link>
				<pubDate>Thu, 15 Dec 2022 23:31:00 +0000</pubDate>

									<content:encoded><![CDATA[<p>The portrayal of narcotrafficking in the novels of Elmer Mendoza.</p>
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				<title>Minni Sawhney deposited Surmounting Borders, The Corridos of Jenni Rivera in the group LLC Mexican</title>
				<link>https://mla.hcommons.org/activity/p/1783822/</link>
				<pubDate>Sat, 11 Jun 2022 02:27:04 +0000</pubDate>

									<content:encoded><![CDATA[<p>Ranchera music on the U.S. Mexican Border</p>
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				<title>Minni Sawhney deposited Surmounting Borders, The Corridos of Jenni Rivera in the group LLC Latina and Latino</title>
				<link>https://mla.hcommons.org/activity/p/1783821/</link>
				<pubDate>Sat, 11 Jun 2022 02:26:24 +0000</pubDate>

									<content:encoded><![CDATA[<p>Ranchera music on the U.S. Mexican Border</p>
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				<title>Minni Sawhney deposited La figura del renegado en el teatro de Cervantes in the group LLC 16th- and 17th-Century Spanish and Iberian Drama</title>
				<link>https://mla.hcommons.org/activity/p/1783820/</link>
				<pubDate>Sat, 11 Jun 2022 02:25:32 +0000</pubDate>

									<content:encoded><![CDATA[<p>On the renegades in Cervantes's Captivity plays</p>
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				<title>Minni Sawhney deposited La figura del renegado en el teatro de Cervantes in the group GS Travel Writing</title>
				<link>https://mla.hcommons.org/activity/p/1783819/</link>
				<pubDate>Sat, 11 Jun 2022 02:23:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>On the renegades in Cervantes's Captivity plays</p>
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				<title>Minni Sawhney deposited La figura del renegado en el teatro de Cervantes in the group Early Modern Iberia</title>
				<link>https://mla.hcommons.org/activity/p/1783818/</link>
				<pubDate>Sat, 11 Jun 2022 02:23:39 +0000</pubDate>

									<content:encoded><![CDATA[<p>On the renegades in Cervantes's Captivity plays</p>
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				<title>Minni Sawhney deposited Surmounting Borders, The Corridos of Jenni Rivera</title>
				<link>https://hcommons.org/activity/p/1783772/</link>
				<pubDate>Fri, 10 Jun 2022 14:59:45 +0000</pubDate>

									<content:encoded><![CDATA[<p>Ranchera music on the U.S. Mexican Border</p>
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				<title>Minni Sawhney deposited Surmounting Borders, The corridos of Jenni Rivera</title>
				<link>https://hcommons.org/activity/p/1783770/</link>
				<pubDate>Fri, 10 Jun 2022 14:26:42 +0000</pubDate>

									<content:encoded><![CDATA[<p>Ranchera music of the Mexican U.S. Border</p>
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				<title>Minni Sawhney deposited Ambivalent Fundamentalists and Reluctant Detectives: Living on the Edge in the Global South in the group LLC Mexican</title>
				<link>https://mla.hcommons.org/activity/p/1668645/</link>
				<pubDate>Sat, 26 Oct 2019 16:33:05 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article discusses the confluence of the war on drugs and the war on terror with an analysis of the novels of Elmer Mendoza, (Balas de plata, Prueba de ácido, Nombre de perro, Besar al detective)  Don Winslow (The Power of the Dog, The Cartel) and Mohsin Hamid (The Reluctant Fundamentalist)</p>
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				<title>Minni Sawhney deposited Ambivalent Fundamentalists and Reluctant Detectives: Living on the Edge in the Global South in the group LLC Latina and Latino</title>
				<link>https://mla.hcommons.org/activity/p/1668644/</link>
				<pubDate>Sat, 26 Oct 2019 16:32:27 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article discusses the confluence of the war on drugs and the war on terror with an analysis of the novels of Elmer Mendoza, (Balas de plata, Prueba de ácido, Nombre de perro, Besar al detective)  Don Winslow (The Power of the Dog, The Cartel) and Mohsin Hamid (The Reluctant Fundamentalist)</p>
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				<title>Minni Sawhney deposited Ambivalent Fundamentalists and Reluctant Detectives: Living on the Edge in the Global South</title>
				<link>https://hcommons.org/activity/p/1668569/</link>
				<pubDate>Fri, 25 Oct 2019 16:21:47 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article discusses the confluence of the war on drugs and the war on terror with an analysis of the novels of Elmer Mendoza, (Balas de plata, Prueba de ácido, Nombre de perro, Besar al detective)  Don Winslow (The Power of the Dog, The Cartel) and Mohsin Hamid (The Reluctant Fundamentalist)</p>
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				<title>Minni Sawhney deposited Friendship and Politics in the works of Cervantes and Lope de Vega in the group LLC 16th- and 17th-Century Spanish and Iberian Drama</title>
				<link>https://mla.hcommons.org/activity/p/1643042/</link>
				<pubDate>Sat, 22 Jun 2019 16:45:28 +0000</pubDate>

									<content:encoded><![CDATA[<p>The convivencia between the followers of the different religions of the Mediterranean persisted despite the fraught politics of Christianity and Islam. Despite the long arm of the  Inquisition the protagonists in the plays of Cervantes and Lope struggle to maintain fraternal ties.</p>
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				<title>Minni Sawhney deposited Friendship and Politics in the works of Cervantes and Lope de Vega in the group Interdisciplinary Approaches to Culture and Society</title>
				<link>https://mla.hcommons.org/activity/p/1643040/</link>
				<pubDate>Sat, 22 Jun 2019 16:35:59 +0000</pubDate>

									<content:encoded><![CDATA[<p>The convivencia between the followers of the different religions of the Mediterranean persisted despite the fraught politics of Christianity and Islam. Despite the long arm of the  Inquisition the protagonists in the plays of Cervantes and Lope struggle to maintain fraternal ties.</p>
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				<title>Minni Sawhney deposited Friendship and Politics in the works of Cervantes and Lope de Vega in the group Early Modern Iberia</title>
				<link>https://mla.hcommons.org/activity/p/1643039/</link>
				<pubDate>Sat, 22 Jun 2019 16:35:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>The convivencia between the followers of the different religions of the Mediterranean persisted despite the fraught politics of Christianity and Islam. Despite the long arm of the  Inquisition the protagonists in the plays of Cervantes and Lope struggle to maintain fraternal ties.</p>
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				<title>Minni Sawhney deposited Cervantes' cosmopolitan El gallardo español during an earlier clash of civilisations. in the group LLC 16th- and 17th-Century Spanish and Iberian Drama</title>
				<link>https://mla.hcommons.org/activity/p/1643038/</link>
				<pubDate>Sat, 22 Jun 2019 16:34:57 +0000</pubDate>

									<content:encoded><![CDATA[<p>Despite being an army officer Don Fernando is drawn towards the Muslim Princess Arlaxa. He defies army convention to meet her much to the chagrin of fellow Spanish soldiers in the presidio where they are stationed.</p>
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				<title>Minni Sawhney deposited Cervantes' cosmopolitan El gallardo español during an earlier clash of civilisations. in the group Interdisciplinary Approaches to Culture and Society</title>
				<link>https://mla.hcommons.org/activity/p/1643037/</link>
				<pubDate>Sat, 22 Jun 2019 16:25:26 +0000</pubDate>

									<content:encoded><![CDATA[<p>Despite being an army officer Don Fernando is drawn towards the Muslim Princess Arlaxa. He defies army convention to meet her much to the chagrin of fellow Spanish soldiers in the presidio where they are stationed.</p>
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				<title>Minni Sawhney deposited Cervantes' cosmopolitan El gallardo español during an earlier clash of civilisations. in the group Early Modern Iberia</title>
				<link>https://mla.hcommons.org/activity/p/1643036/</link>
				<pubDate>Sat, 22 Jun 2019 16:25:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>Despite being an army officer Don Fernando is drawn towards the Muslim Princess Arlaxa. He defies army convention to meet her much to the chagrin of fellow Spanish soldiers in the presidio where they are stationed.</p>
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				<title>Minni Sawhney deposited Desire and. its Facilitators in Cervantes' Los trabajos de Persiles y Sigismunda in the group Interdisciplinary Approaches to Culture and Society</title>
				<link>https://hcommons.org/activity/p/1642978/</link>
				<pubDate>Fri, 21 Jun 2019 16:49:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article discusses "politically correct" desire as opposed to the outlaw desire of witches and non Christians. Though the leading couple is shown most favourably yet the portrayal of the Others raises questions in the mind of the reader which is what Cervantes might have intended.</p>
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				<title>Minni Sawhney deposited Desire and. its Facilitators in Cervantes' Los trabajos de Persiles y Sigismunda in the group Early Modern Iberia</title>
				<link>https://mla.hcommons.org/activity/p/1642977/</link>
				<pubDate>Fri, 21 Jun 2019 16:49:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article discusses "politically correct" desire as opposed to the outlaw desire of witches and non Christians. Though the leading couple is shown most favourably yet the portrayal of the Others raises questions in the mind of the reader which is what Cervantes might have intended.</p>
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				<title>Minni Sawhney deposited The Agency of Muslim Women in the Narrative of Cervantes in the group LLC 16th- and 17th-Century Spanish and Iberian Drama</title>
				<link>https://mla.hcommons.org/activity/p/1642976/</link>
				<pubDate>Fri, 21 Jun 2019 16:48:04 +0000</pubDate>

									<content:encoded><![CDATA[<p>Despite prevailing stereotypes, the Muslim women in Cervantes' captivity plays are forthright, ambitious and endowed with considerable agency. Though there is no evidence that Cervantes had read Erasmus, yet his portrayal of women shows them as standing their ground during adversity.</p>
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				<title>Minni Sawhney deposited The Agency of Muslim Women in the Narrative of Cervantes in the group Early Modern Iberia</title>
				<link>https://mla.hcommons.org/activity/p/1642975/</link>
				<pubDate>Fri, 21 Jun 2019 16:47:59 +0000</pubDate>

									<content:encoded><![CDATA[<p>Despite prevailing stereotypes, the Muslim women in Cervantes' captivity plays are forthright, ambitious and endowed with considerable agency. Though there is no evidence that Cervantes had read Erasmus, yet his portrayal of women shows them as standing their ground during adversity.</p>
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				<title>Minni Sawhney deposited Excentric Affects in Cristina Rivera Garza's Nadie me verá llorar in the group LLC Mexican</title>
				<link>https://mla.hcommons.org/activity/p/1642971/</link>
				<pubDate>Fri, 21 Jun 2019 16:46:12 +0000</pubDate>

									<content:encoded><![CDATA[<p>In this article I try to show how the Mexican Revolution was not only national in nature but also helped ordinary individuals break down barriers in their personal lives. The protagonist of Nadie me verá llorar was considered a madwoman in Porfirian society and with the Revolution she comes into her own and finds a space in post revolutionary Mexico D.F.</p>
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				<title>Minni Sawhney deposited Excentric Affects in Cristina Rivera Garza's Nadie me verá llorar in the group LLC Latina and Latino</title>
				<link>https://mla.hcommons.org/activity/p/1642970/</link>
				<pubDate>Fri, 21 Jun 2019 16:45:33 +0000</pubDate>

									<content:encoded><![CDATA[<p>In this article I try to show how the Mexican Revolution was not only national in nature but also helped ordinary individuals break down barriers in their personal lives. The protagonist of Nadie me verá llorar was considered a madwoman in Porfirian society and with the Revolution she comes into her own and finds a space in post revolutionary Mexico D.F.</p>
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				<title>Minni Sawhney deposited Excentric Affects in Cristina Rivera Garza's Nadie me verá llorar in the group Interdisciplinary Approaches to Culture and Society</title>
				<link>https://mla.hcommons.org/activity/p/1642963/</link>
				<pubDate>Fri, 21 Jun 2019 16:36:04 +0000</pubDate>

									<content:encoded><![CDATA[<p>In this article I try to show how the Mexican Revolution was not only national in nature but also helped ordinary individuals break down barriers in their personal lives. The protagonist of Nadie me verá llorar was considered a madwoman in Porfirian society and with the Revolution she comes into her own and finds a space in post revolutionary Mexico D.F.</p>
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				<title>Minni Sawhney deposited Jenni Rivera y sus corridos: la historia de un desafío in the group LLC Latina and Latino</title>
				<link>https://mla.hcommons.org/activity/p/1642962/</link>
				<pubDate>Fri, 21 Jun 2019 16:35:27 +0000</pubDate>

									<content:encoded><![CDATA[<p>An analysis of the life and corridos of Jenni Rivera the sole woman narco corridista</p>
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				<title>Minni Sawhney deposited Jenni Rivera y sus corridos: la historia de un desafío in the group Interdisciplinary Approaches to Culture and Society</title>
				<link>https://mla.hcommons.org/activity/p/1642961/</link>
				<pubDate>Fri, 21 Jun 2019 16:25:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>An analysis of the life and corridos of Jenni Rivera the sole woman narco corridista</p>
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				<title>Minni Sawhney deposited “La frontera hispano-musulmana en El Hamete de Toledo y El cordobés valeroso Pedro Carbonero de Lope de Vega” in the group LLC 16th- and 17th-Century Spanish and Iberian Drama</title>
				<link>https://mla.hcommons.org/activity/p/1642932/</link>
				<pubDate>Fri, 21 Jun 2019 03:48:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>El reflejo del islam en dos obras de Lope de Vega.</p>
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				<title>Minni Sawhney deposited “La frontera hispano-musulmana en El Hamete de Toledo y El cordobés valeroso Pedro Carbonero de Lope de Vega” in the group Early Modern Iberia</title>
				<link>https://mla.hcommons.org/activity/p/1642931/</link>
				<pubDate>Fri, 21 Jun 2019 03:48:43 +0000</pubDate>

									<content:encoded><![CDATA[<p>El reflejo del islam en dos obras de Lope de Vega.</p>
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				<title>Minni Sawhney deposited Latin American Travelers in Modern India in the group Interdisciplinary Approaches to Culture and Society</title>
				<link>https://hcommons.org/activity/p/1642909/</link>
				<pubDate>Thu, 20 Jun 2019 16:42:13 +0000</pubDate>

									<content:encoded><![CDATA[<p>The travels and writings of Octavio Paz and Severo Sarduy in India.</p>
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				<title>Minni Sawhney deposited Latin American Travelers in Modern India in the group GS Travel Writing</title>
				<link>https://mla.hcommons.org/activity/p/1642908/</link>
				<pubDate>Thu, 20 Jun 2019 16:39:37 +0000</pubDate>

									<content:encoded><![CDATA[<p>The travels and writings of Octavio Paz and Severo Sarduy in India.</p>
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				<title>Minni Sawhney deposited Stories on the Margins of History : Spanish Immigrants and the Mexican Revolution in the group LLC Mexican</title>
				<link>https://mla.hcommons.org/activity/p/1642907/</link>
				<pubDate>Thu, 20 Jun 2019 16:38:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>The lives of Spanish immigrants during the Mexican Revolution, their participation therein.</p>
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				<title>Minni Sawhney deposited Stories on the Margins of History : Spanish Immigrants and the Mexican Revolution in the group LLC Latina and Latino</title>
				<link>https://mla.hcommons.org/activity/p/1642906/</link>
				<pubDate>Thu, 20 Jun 2019 16:37:31 +0000</pubDate>

									<content:encoded><![CDATA[<p>The lives of Spanish immigrants during the Mexican Revolution, their participation therein.</p>
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				<title>Minni Sawhney deposited Stories on the Margins of History : Spanish Immigrants and the Mexican Revolution in the group Interdisciplinary Approaches to Culture and Society</title>
				<link>https://mla.hcommons.org/activity/p/1642905/</link>
				<pubDate>Thu, 20 Jun 2019 16:27:43 +0000</pubDate>

									<content:encoded><![CDATA[<p>The lives of Spanish immigrants during the Mexican Revolution, their participation therein.</p>
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				<title>Minni Sawhney deposited Mexican U.S. Border Literature and the Narco Novel in the group LLC Mexican</title>
				<link>https://mla.hcommons.org/activity/p/1642904/</link>
				<pubDate>Thu, 20 Jun 2019 16:26:11 +0000</pubDate>

									<content:encoded><![CDATA[<p>Analysis of Border literature, Narco novels in the U.S. and Mexico</p>
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				<title>Minni Sawhney deposited Mexican U.S. Border Literature and the Narco Novel in the group LLC Latina and Latino</title>
				<link>https://mla.hcommons.org/activity/p/1642903/</link>
				<pubDate>Thu, 20 Jun 2019 16:25:34 +0000</pubDate>

									<content:encoded><![CDATA[<p>Analysis of Border literature, Narco novels in the U.S. and Mexico</p>
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				<title>Minni Sawhney deposited “La frontera hispano-musulmana en El Hamete de Toledo y El cordobés valeroso Pedro Carbonero de Lope de Vega”</title>
				<link>https://mla.hcommons.org/activity/p/1642889/</link>
				<pubDate>Thu, 20 Jun 2019 14:28:34 +0000</pubDate>

									<content:encoded><![CDATA[<p>El reflejo del islam en dos obras de Lope de Vega.</p>
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				<title>Minni Sawhney deposited La ciudad como protagonista: México D.F. y la literatura mexicana in the group LLC Mexican</title>
				<link>https://mla.hcommons.org/activity/p/1642873/</link>
				<pubDate>Thu, 20 Jun 2019 04:01:15 +0000</pubDate>

									<content:encoded><![CDATA[<p>El retrato de la Ciudad de México en la literatura.</p>
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				<title>Minni Sawhney deposited La ciudad como protagonista: México D.F. y la literatura mexicana in the group LLC Latina and Latino</title>
				<link>https://mla.hcommons.org/activity/p/1642872/</link>
				<pubDate>Thu, 20 Jun 2019 04:00:36 +0000</pubDate>

									<content:encoded><![CDATA[<p>El retrato de la Ciudad de México en la literatura.</p>
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				<title>Minni Sawhney deposited La ciudad como protagonista: México D.F. y la literatura mexicana in the group Interdisciplinary Approaches to Culture and Society</title>
				<link>https://mla.hcommons.org/activity/p/1642871/</link>
				<pubDate>Thu, 20 Jun 2019 03:50:52 +0000</pubDate>

									<content:encoded><![CDATA[<p>El retrato de la Ciudad de México en la literatura.</p>
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				<title>Minni Sawhney deposited Un nuevo espacio en la literatura mexicana: La obra fronteriza de luís Humberto Crosthwaite y Gabriel Trujillo Muñoz in the group LLC Mexican</title>
				<link>https://mla.hcommons.org/activity/p/1642870/</link>
				<pubDate>Thu, 20 Jun 2019 03:49:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>La literatura de la frontera norte</p>
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				<title>Minni Sawhney deposited Un nuevo espacio en la literatura mexicana: La obra fronteriza de luís Humberto Crosthwaite y Gabriel Trujillo Muñoz in the group LLC Latina and Latino</title>
				<link>https://mla.hcommons.org/activity/p/1642869/</link>
				<pubDate>Thu, 20 Jun 2019 03:48:43 +0000</pubDate>

									<content:encoded><![CDATA[<p>La literatura de la frontera norte</p>
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				<title>Minni Sawhney deposited Friendship and Politics in the works of Cervantes and Lope de Vega</title>
				<link>https://hcommons.org/activity/p/1642868/</link>
				<pubDate>Thu, 20 Jun 2019 01:38:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>The convivencia between the followers of the different religions of the Mediterranean persisted despite the fraught politics of Christianity and Islam. Despite the long arm of the  Inquisition the protagonists in the plays of Cervantes and Lope struggle to maintain fraternal ties.</p>
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				<title>Minni Sawhney deposited Religion and Colonialism: Jesuits at Akbar's Mughal Court in the group Interdisciplinary Approaches to Culture and Society</title>
				<link>https://hcommons.org/activity/p/1642852/</link>
				<pubDate>Wed, 19 Jun 2019 16:45:26 +0000</pubDate>

									<content:encoded><![CDATA[<p>The reception of Jesuit priests at the the court of Akbar the Mughal emperor of India</p>
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