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	<title>STEM Ed+ Commons | Kevin A. Quarmby | Activity</title>
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				<title>Kevin A. Quarmby deposited 'Shakespeare in Prison': A South African Social Justice Alternative in the group Shakespeare</title>
				<link>https://hcommons.org/activity/p/1755854/</link>
				<pubDate>Tue, 19 Oct 2021 03:50:56 +0000</pubDate>

									<content:encoded><![CDATA[<p>"'Shakespeare in Prison': A South African Social Justice Alternative" interrogates the validity of certain ‘Shakespeare in prison’ initiatives. In so doing, it engages in ongoing criticism of arts outreach projects and their effectiveness, while highlighting the role of anti-mass-incarceration activists who denounce such well-meaning efforts as&hellip;<span class="activity-read-more" id="activity-read-more-1755854"><a href="https://hcommons.org/activity/p/1755854/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby deposited 'Shakespeare in Prison': A South African Social Justice Alternative in the group LLC Shakespeare</title>
				<link>https://mla.hcommons.org/activity/p/1755853/</link>
				<pubDate>Tue, 19 Oct 2021 03:48:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>"'Shakespeare in Prison': A South African Social Justice Alternative" interrogates the validity of certain ‘Shakespeare in prison’ initiatives. In so doing, it engages in ongoing criticism of arts outreach projects and their effectiveness, while highlighting the role of anti-mass-incarceration activists who denounce such well-meaning efforts as&hellip;<span class="activity-read-more" id="activity-read-more-1755853"><a href="https://mla.hcommons.org/activity/p/1755853/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby deposited 'Shakespeare in Prison': A South African Social Justice Alternative</title>
				<link>https://mla.hcommons.org/activity/p/1755792/</link>
				<pubDate>Mon, 18 Oct 2021 17:02:49 +0000</pubDate>

									<content:encoded><![CDATA[<p>"'Shakespeare in Prison': A South African Social Justice Alternative" interrogates the validity of certain ‘Shakespeare in prison’ initiatives. In so doing, it engages in ongoing criticism of arts outreach projects and their effectiveness, while highlighting the role of anti-mass-incarceration activists who denounce such well-meaning efforts as&hellip;<span class="activity-read-more" id="activity-read-more-1755792"><a href="https://mla.hcommons.org/activity/p/1755792/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1752001/</link>
				<pubDate>Wed, 15 Sep 2021 17:01:05 +0000</pubDate>

				
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				<title>Kevin A. Quarmby&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1736067/</link>
				<pubDate>Sun, 25 Apr 2021 17:48:58 +0000</pubDate>

				
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				<title>Kevin A. Quarmby deposited Shamanistic Shakespeare: Korea's Colonization of Hamlet in the group Shakespeare</title>
				<link>https://hcommons.org/activity/p/1711712/</link>
				<pubDate>Sun, 11 Oct 2020 02:30:47 +0000</pubDate>

									<content:encoded><![CDATA[<p>"Shamanistic Shakespeare: Korea's Colonization of Hamlet" offers a timely reminder about the dangers of imposing a reformulated national myth on international Shakespeare productions. Focusing on a London performance of Korea’s Yohangza Theatre Company’s shamanized Hamlet, this case study invites far broader consideration of the readability of glo&hellip;<span class="activity-read-more" id="activity-read-more-1711712"><a href="https://hcommons.org/activity/p/1711712/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby deposited Shamanistic Shakespeare: Korea's Colonization of Hamlet in the group LLC Shakespeare</title>
				<link>https://mla.hcommons.org/activity/p/1711711/</link>
				<pubDate>Sun, 11 Oct 2020 02:28:33 +0000</pubDate>

									<content:encoded><![CDATA[<p>"Shamanistic Shakespeare: Korea's Colonization of Hamlet" offers a timely reminder about the dangers of imposing a reformulated national myth on international Shakespeare productions. Focusing on a London performance of Korea’s Yohangza Theatre Company’s shamanized Hamlet, this case study invites far broader consideration of the readability of glo&hellip;<span class="activity-read-more" id="activity-read-more-1711711"><a href="https://mla.hcommons.org/activity/p/1711711/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby deposited Shamanistic Shakespeare: Korea's Colonization of Hamlet in the group GS Drama and Performance</title>
				<link>https://mla.hcommons.org/activity/p/1711710/</link>
				<pubDate>Sun, 11 Oct 2020 02:26:15 +0000</pubDate>

									<content:encoded><![CDATA[<p>"Shamanistic Shakespeare: Korea's Colonization of Hamlet" offers a timely reminder about the dangers of imposing a reformulated national myth on international Shakespeare productions. Focusing on a London performance of Korea’s Yohangza Theatre Company’s shamanized Hamlet, this case study invites far broader consideration of the readability of glo&hellip;<span class="activity-read-more" id="activity-read-more-1711710"><a href="https://mla.hcommons.org/activity/p/1711710/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby deposited Shamanistic Shakespeare: Korea's Colonization of Hamlet in the group CLCS Renaissance and Early Modern</title>
				<link>https://mla.hcommons.org/activity/p/1711709/</link>
				<pubDate>Sun, 11 Oct 2020 02:23:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>"Shamanistic Shakespeare: Korea's Colonization of Hamlet" offers a timely reminder about the dangers of imposing a reformulated national myth on international Shakespeare productions. Focusing on a London performance of Korea’s Yohangza Theatre Company’s shamanized Hamlet, this case study invites far broader consideration of the readability of glo&hellip;<span class="activity-read-more" id="activity-read-more-1711709"><a href="https://mla.hcommons.org/activity/p/1711709/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby deposited Shamanistic Shakespeare: Korea's Colonization of Hamlet</title>
				<link>https://hcommons.org/activity/p/1711653/</link>
				<pubDate>Sat, 10 Oct 2020 16:02:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>"Shamanistic Shakespeare: Korea's Colonization of Hamlet" offers a timely reminder about the dangers of imposing a reformulated national myth on international Shakespeare productions. Focusing on a London performance of Korea’s Yohangza Theatre Company’s shamanized Hamlet, this case study invites far broader consideration of the readability of glo&hellip;<span class="activity-read-more" id="activity-read-more-1711653"><a href="https://hcommons.org/activity/p/1711653/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1711648/</link>
				<pubDate>Sat, 10 Oct 2020 15:40:25 +0000</pubDate>

				
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				<title>Kevin A. Quarmby deposited Falstaff’s Baffled “Rabbit Sucker” and “Poulter’s Hare” in 1 Henry IV in the group Shakespeare</title>
				<link>https://hcommons.org/activity/p/1696329/</link>
				<pubDate>Fri, 10 Jul 2020 03:21:05 +0000</pubDate>

									<content:encoded><![CDATA[<p>In 1 Henry IV, Falstaff enacts his histrionic mock deposition scene, only to be usurped by England’s true heir, Prince Hal. Irate at his actorly demotion, Falstaff praises his own performance skills, while suggesting that, if found lacking, he should receive a punishment befitting his knightly status. Likening Falstaff to small game hanging in a s&hellip;<span class="activity-read-more" id="activity-read-more-1696329"><a href="https://hcommons.org/activity/p/1696329/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby deposited Falstaff’s Baffled “Rabbit Sucker” and “Poulter’s Hare” in 1 Henry IV in the group LLC Shakespeare</title>
				<link>https://mla.hcommons.org/activity/p/1696328/</link>
				<pubDate>Fri, 10 Jul 2020 03:18:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>In 1 Henry IV, Falstaff enacts his histrionic mock deposition scene, only to be usurped by England’s true heir, Prince Hal. Irate at his actorly demotion, Falstaff praises his own performance skills, while suggesting that, if found lacking, he should receive a punishment befitting his knightly status. Likening Falstaff to small game hanging in a s&hellip;<span class="activity-read-more" id="activity-read-more-1696328"><a href="https://mla.hcommons.org/activity/p/1696328/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby deposited Falstaff’s Baffled “Rabbit Sucker” and “Poulter’s Hare” in 1 Henry IV in the group CLCS Renaissance and Early Modern</title>
				<link>https://mla.hcommons.org/activity/p/1696327/</link>
				<pubDate>Fri, 10 Jul 2020 03:16:20 +0000</pubDate>

									<content:encoded><![CDATA[<p>In 1 Henry IV, Falstaff enacts his histrionic mock deposition scene, only to be usurped by England’s true heir, Prince Hal. Irate at his actorly demotion, Falstaff praises his own performance skills, while suggesting that, if found lacking, he should receive a punishment befitting his knightly status. Likening Falstaff to small game hanging in a s&hellip;<span class="activity-read-more" id="activity-read-more-1696327"><a href="https://mla.hcommons.org/activity/p/1696327/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby deposited Falstaff’s Baffled “Rabbit Sucker” and “Poulter’s Hare” in 1 Henry IV</title>
				<link>https://hcommons.org/activity/p/1696238/</link>
				<pubDate>Thu, 09 Jul 2020 17:24:31 +0000</pubDate>

									<content:encoded><![CDATA[<p>In 1 Henry IV, Falstaff enacts his histrionic mock deposition scene, only to be usurped by England’s true heir, Prince Hal. Irate at his actorly demotion, Falstaff praises his own performance skills, while suggesting that, if found lacking, he should receive a punishment befitting his knightly status. Likening Falstaff to small game hanging in a s&hellip;<span class="activity-read-more" id="activity-read-more-1696238"><a href="https://hcommons.org/activity/p/1696238/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1669472/</link>
				<pubDate>Thu, 07 Nov 2019 02:08:48 +0000</pubDate>

				
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				<title>Kevin A. Quarmby&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1665718/</link>
				<pubDate>Tue, 08 Oct 2019 12:52:10 +0000</pubDate>

				
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				<title>Kevin A. Quarmby&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1665356/</link>
				<pubDate>Thu, 03 Oct 2019 16:57:36 +0000</pubDate>

				
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				<title>Kevin A. Quarmby deposited ‘Bardwashing’ Shakespeare: Food Justice, Enclosure, and the Poaching Poet in the group LLC Shakespeare</title>
				<link>https://mla.hcommons.org/activity/p/1665341/</link>
				<pubDate>Thu, 03 Oct 2019 16:25:29 +0000</pubDate>

									<content:encoded><![CDATA[<p>In As You Like It, Shakespeare glorifies the social bandits that survive in the Forest of Arden, likening them to Robin Hood outlaws. Near-contemporary pseudo-biographies also record Shakespeare’s early life as a poacher and youthful renegade. Shakespeare’s play might suggest his advocacy of food sovereignty and social justice, a romanticized ima&hellip;<span class="activity-read-more" id="activity-read-more-1665341"><a href="https://mla.hcommons.org/activity/p/1665341/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby deposited "'Bardwashing' Shakespeare: Food Justice, Enclosure, and the Poaching Poet"</title>
				<link>https://hcommons.org/activity/p/1665247/</link>
				<pubDate>Wed, 02 Oct 2019 20:12:28 +0000</pubDate>

									<content:encoded><![CDATA[<p>In As You Like It, Shakespeare glorifies the social bandits that survive in the Forest of Arden, likening them to Robin Hood outlaws. Near-contemporary pseudo-biographies also record Shakespeare’s early life as a poacher and youthful renegade. Shakespeare’s play might suggest his advocacy of food sovereignty and social justice, a romanticized ima&hellip;<span class="activity-read-more" id="activity-read-more-1665247"><a href="https://hcommons.org/activity/p/1665247/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1642746/</link>
				<pubDate>Tue, 18 Jun 2019 12:19:44 +0000</pubDate>

				
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				<title>Kevin A. Quarmby deposited ‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’ in the group LLC Shakespeare</title>
				<link>https://mla.hcommons.org/activity/p/1642100/</link>
				<pubDate>Sun, 09 Jun 2019 03:48:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>This essay explores the covert censorship of Shakespeare production nudity by Western and Eastern theater and television companies. Using Ian McKellen's 2007 RSC King Lear as its case study, the essay considers the economic and political pressures brought to bear on the RSC by those seeking to prevent the perceived corruption of young people, and&hellip;<span class="activity-read-more" id="activity-read-more-1642100"><a href="https://mla.hcommons.org/activity/p/1642100/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby deposited ‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’</title>
				<link>https://mla.hcommons.org/activity/p/1642050/</link>
				<pubDate>Sat, 08 Jun 2019 11:18:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>This essay explores the covert censorship of Shakespeare production nudity by Western and Eastern theater and television companies. Using Ian McKellen's 2007 RSC King Lear as its case study, the essay considers the economic and political pressures brought to bear on the RSC by those seeking to prevent the perceived corruption of young people, and&hellip;<span class="activity-read-more" id="activity-read-more-1642050"><a href="https://mla.hcommons.org/activity/p/1642050/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kevin A. Quarmby&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1641831/</link>
				<pubDate>Thu, 06 Jun 2019 10:26:02 +0000</pubDate>

				
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				<title>Kevin A. Quarmby&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1615724/</link>
				<pubDate>Fri, 17 Aug 2018 07:50:05 +0000</pubDate>

				
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				<title>Kevin A. Quarmby&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1580807/</link>
				<pubDate>Thu, 07 Sep 2017 23:26:00 +0000</pubDate>

				
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				<title>Kevin A. Quarmby changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1561606/</link>
				<pubDate>Tue, 07 Feb 2017 23:19:11 +0000</pubDate>

				
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				<title>Kevin A. Quarmby changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1561605/</link>
				<pubDate>Tue, 07 Feb 2017 23:18:14 +0000</pubDate>

				
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