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	<title>STEM Ed+ Commons | Jeremy Coleman | Activity</title>
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1928653/</link>
				<pubDate>Wed, 24 Sep 2025 13:21:36 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1876666/</link>
				<pubDate>Thu, 15 Feb 2024 11:14:57 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
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				<pubDate>Mon, 22 Nov 2021 23:58:45 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1755641/</link>
				<pubDate>Sun, 17 Oct 2021 14:21:41 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1741666/</link>
				<pubDate>Wed, 16 Jun 2021 09:24:13 +0000</pubDate>

				
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				<title>Jeremy Coleman deposited ‘Found in Translation’: Review of Richard Wagner, _The Ring of the Nibelung_, trans. John Deathridge (Penguin, 2018) in the group Translation Studies</title>
				<link>https://hcommons.org/activity/p/1732768/</link>
				<pubDate>Fri, 26 Mar 2021 02:23:41 +0000</pubDate>

									<content:encoded><![CDATA[<p>The task of the literary translator is usually framed around the notion of ‘fidelity’ to the source text. Whatever the translator is trying to be faithful to (which is another question), any betrayal of the original, according to this logic, is deemed a failure. Or, as the Italian motto has it, traduttore traditore. The translator Mark Pol&hellip;<span class="activity-read-more" id="activity-read-more-1732768"><a href="https://hcommons.org/activity/p/1732768/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1732686/</link>
				<pubDate>Thu, 25 Mar 2021 15:09:40 +0000</pubDate>

				
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				<title>Jeremy Coleman deposited ‘Found in Translation’: Review of Richard Wagner, _The Ring of the Nibelung_, trans. John Deathridge (Penguin, 2018)</title>
				<link>https://hcommons.org/activity/p/1732669/</link>
				<pubDate>Thu, 25 Mar 2021 11:39:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>The task of the literary translator is usually framed around the notion of ‘fidelity’ to the source text. Whatever the translator is trying to be faithful to (which is another question), any betrayal of the original, according to this logic, is deemed a failure. Or, as the Italian motto has it, traduttore traditore. The translator Mark Pol&hellip;<span class="activity-read-more" id="activity-read-more-1732669"><a href="https://hcommons.org/activity/p/1732669/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1729298/</link>
				<pubDate>Fri, 26 Feb 2021 23:01:48 +0000</pubDate>

				
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				<title>Jeremy Coleman deposited Redemption from the Redeemer? Review Article on Roger Scruton and _Wagner's Parsifal_</title>
				<link>https://hcommons.org/activity/p/1729297/</link>
				<pubDate>Fri, 26 Feb 2021 22:58:56 +0000</pubDate>

									<content:encoded><![CDATA[<p>Wagner’s Parsifal has the curious honour of being the subject of the final book by Roger Scruton, philosopher, composer, novelist, doyen of English conservatism and one of the most prolific public intellectuals in the UK of the last fifty years, who died in January 2020. Not long before, Scruton sent his publisher, Allen Lane, the manuscript of W&hellip;<span class="activity-read-more" id="activity-read-more-1729297"><a href="https://hcommons.org/activity/p/1729297/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1728912/</link>
				<pubDate>Thu, 25 Feb 2021 12:31:15 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1725810/</link>
				<pubDate>Mon, 01 Feb 2021 10:07:26 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1725595/</link>
				<pubDate>Sat, 30 Jan 2021 20:04:17 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1725568/</link>
				<pubDate>Sat, 30 Jan 2021 11:13:00 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1721302/</link>
				<pubDate>Sat, 02 Jan 2021 12:06:58 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1721234/</link>
				<pubDate>Fri, 01 Jan 2021 14:28:57 +0000</pubDate>

				
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				<title>Jeremy Coleman deposited The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.</title>
				<link>https://hcommons.org/activity/p/1721233/</link>
				<pubDate>Fri, 01 Jan 2021 14:27:13 +0000</pubDate>

									<content:encoded><![CDATA[<p>Review article on the first collected edition of Wagner’s musical works, the Richard Wagner Sämtliche Werke (1970-[vols. still forthcoming at the time of review]). The review may be read in conjunction with Coleman, "Sämtliche Werke", in _The Cambridge Wagner Encyclopedia_ (Cambridge: Cambridge University Press, 2013), 511-513.</p>
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1721229/</link>
				<pubDate>Fri, 01 Jan 2021 11:13:40 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1721073/</link>
				<pubDate>Wed, 30 Dec 2020 12:55:35 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1720958/</link>
				<pubDate>Mon, 28 Dec 2020 16:53:50 +0000</pubDate>

				
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				<title>Jeremy Coleman deposited Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.</title>
				<link>https://hcommons.org/activity/p/1720957/</link>
				<pubDate>Mon, 28 Dec 2020 16:51:11 +0000</pubDate>

									<content:encoded><![CDATA[<p>The anniversary commemoration of great artistic figures would be incomplete without a survey of the scholarly landscape. So in the year of Richard Wagner’s bicentenary, the publication of new books shows no sign of abating, and nor should it, when there is still so much to be said about this most controversial of composers. But many of the l&hellip;<span class="activity-read-more" id="activity-read-more-1720957"><a href="https://hcommons.org/activity/p/1720957/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jeremy Coleman deposited ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1720784/</link>
				<pubDate>Fri, 25 Dec 2020 02:23:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>Article on Wagner’s 1847 arrangement of Gluck’s _Iphigénie en Aulide_; adapted from, and may be read in conjunction with, Chapter 3 of Jeremy Coleman, _Richard Wagner in Paris: Translation, Identity, Modernity_ (The Boydell Press, 2019).</p>
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				<title>Jeremy Coleman deposited ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide in the group Global &#38; Transnational Studies</title>
				<link>https://hcommons.org/activity/p/1720781/</link>
				<pubDate>Fri, 25 Dec 2020 02:23:39 +0000</pubDate>

									<content:encoded><![CDATA[<p>Article on Wagner’s 1847 arrangement of Gluck’s _Iphigénie en Aulide_; adapted from, and may be read in conjunction with, Chapter 3 of Jeremy Coleman, _Richard Wagner in Paris: Translation, Identity, Modernity_ (The Boydell Press, 2019).</p>
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1720455/</link>
				<pubDate>Sun, 20 Dec 2020 13:41:24 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1720452/</link>
				<pubDate>Sun, 20 Dec 2020 11:41:24 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1720425/</link>
				<pubDate>Sat, 19 Dec 2020 17:21:09 +0000</pubDate>

				
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				<title>Jeremy Coleman deposited The Wagner Journal</title>
				<link>https://hcommons.org/activity/p/1720412/</link>
				<pubDate>Sat, 19 Dec 2020 11:31:32 +0000</pubDate>

									<content:encoded><![CDATA[<p>Article on Wagner’s 1847 arrangement of Gluck’s _Iphigénie en Aulide_; adapted from, and may be read in conjunction with, Chapter 3 of Jeremy Coleman, _Richard Wagner in Paris: Translation, Identity, Modernity_ (The Boydell Press, 2019).</p>
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1720409/</link>
				<pubDate>Sat, 19 Dec 2020 11:02:37 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1719818/</link>
				<pubDate>Mon, 14 Dec 2020 14:11:29 +0000</pubDate>

				
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				<title>Jeremy Coleman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1629761/</link>
				<pubDate>Sat, 19 Jan 2019 15:15:35 +0000</pubDate>

				
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